I was here questions and presents different approaches to the subject of tourism, from a photographic heritage, which seems to be innocuous, anonymous, forgotten and often of average quality - from the technical point of view.

Tourism and photography have always maintained a close relationship - one is growing parallel to the democratization of the other.
Photography appears to be an indispensable means for tourists to own their subject, to fully possess the experience of a landscape, of a historic or cultural site.
Speaking of all, trips, vacations and tourism, the pictures exhibited here, know different stage...

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La commission consultative du Centre national des arts plastiques, chargée de l’acquisition de photographies, s’est réunie pour la seconde session de l’année.
Elle a procédé à l’acquisition de 38 photographies pour un budget total de 206.000 €. Parmi les 19 artistes sélectionnés, 7 bénéficient pour la première fois d’une acquisition, notamment de jeunes artistes comme Yaël Bartana et Pratchaya Phingthong. Plusieurs oeuvres d’artistes confirmés sont également entrées dans les collections, don...

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Kaléidoscope d'Italie is a compilation of the work of 32 photographers which relates the history of Italian photography from the '50s to the present day. In bringing together several generations of photographers - selected for the importance of their photographic research, their sensibilities and their different approaches - this exhibition gives a broad view of Italian photographic culture with all the wealth that it has to offer.

The relationship between art and photography is a complex one and for the first decades of the period in question two different approaches existed side by side: one artistic, the other docu...

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... about Africa, presented by two African photographers of the post-Apartheid generation and a Dutch-Canadian photographer, seeking to give visibility to the inhabitants and to the complexity and nuances of African culture; such is the topic of the present exhibition. These young authors do not wish to exercise judgement upon the situations unfolding before their camera lenses, but instead, by revealing marginal events, to convey a sense of the values, conditions, objects and incidents of everyday life, while keeping a political eye on the changing world around them.

Wishing to keep their distance from traditional photojour...

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Armand Quetsch - Nickla

Un homme âgé aujourd'hui de 89 ans, ayant vécu sa vie aux confins de la Belgique. Seul un embrigadement durant la guerre l'extraira de sa petite exploitation agricole.

Une ferme située dans les cantons de l'Est, lieu qu'il occupa toute son existence.
Aujourd'hui et pour la deuxième fois, il fût contraint de quitter sa maison. Il y a un vide chargé comme une presque disparition.
Comme avant un constat.

La démarche photographique suppose une distance, un espace-temps tout particulier. Le photographe entrepr...

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