This book comprises only a small proportion of Marian's work. It offers a view, an insight, into the everyday reality of a world that no longer exists. I focused on secondary photos of children and shots that help complete the story of Marian's life. They are snapshots that capture moments between "real" shots. I often ask myself what makes good photographs? And I always get the same answer: depends on what you want to say. Are they good? Useful? Bad? Useless? These concepts are fluid and always contingent on the beholder. I find the threshold between shots as interesting as the threshold between childhood and adulthood, past and...

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