The young Belgian artist Rémy Russotto likes to leave the objects of his photographies in the vague and the foggy twilight. In both series, ‘Faces’ and ‘Abstracts’, it is up to the viewer to make out what Russotto actually captured in his photographs, or to take them as an abstract composition of unusually refined and attractive coloration.
Driven by the conviction that nowadays photographs have the authenticity of a manipulated and prearranged reality, Russotto in his portrait series ‘Faces’ opts for returning to a more magical time in photography. He fabricates portraits of ethereal trans...

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