Cerith Wyn Evans' exhibitions often combine an all-round sensory experience with intricate juxtapositions of fragments of meaning. With a background in experimental film and video art in the 1980s, he has primarily worked since the 1990s with spectacular installations where a number of media such as sculpture, photography, film, text, light and sound form natural elements.

At Bergen Kunsthall the artist lets the specificity of the spaces form the point of departure for an integrated installation, which fills all four exhibition halls. With effects like light and sound, he explores the long stretch and the strict symmetry ...

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Knut Åsdam's exhibition at Bergen Kunsthall is structured around three projects that deal with specific geographical areas. With different approaches – in two new films and in a photographic project – the exhibition revolves around the sections within the cities London, Tripoli and Oslo. The exhibition is built up as an architectural installation where the boundaries between inside and outside, between exhibition architecture and artwork, and between the universe of the films and the physical surroundings of the viewers merge with one another.

Abyss was fil...

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