The internationally renowned artists in this exhibition use stitching, cutting, piercing and punching to explore the ambiguous space between two and
three dimensions.
Dissatisfied with the conventional function of photography as a surface that reproduces the external world, these artists test the materiality of their medium. Through a variety of distinct propositions, this exhibition traces an eclectic journey from the potential of photography to exceed its medium to relishing its hermetic and decorative function.
Artists include Maurizio Anzeri (Italy, b.1969), Walead Beshty (UK, b.1976), Annette Kelm (Germany, b.1975), Gerhard Richter (Germany, b.1932), Alina
Szapocznikow (Poland, 1926-1973), Wolfgang Tillmans (Germany, b.1968), Andy Warhol (USA, 1928 - 1987) and Catherine Yass (UK, b.1963).
In a related presentation entitled Surfaces for the mind to rest or to sink into on the ground floor Project Space, sculptor Vanessa Billy (Switzerland,
b. 1978) brings together a collection of works that play with the alternating functions of seeing and understanding.
DIEHL starts its “Flaneur” selection with 42 works of the Soviet photo journalist Dmitry Baltermants. Best known for his pictures of the Soviet battlefield during World War II.
During World War II, Baltermants covered major battles for Izvestia and for the Red Army newspaper Na Razgrom Vraga. He fought and photographe...
Le 24 mars 1976, le peuple argentin subit un coup d’état militaire. C’est le début d’une ère de répression sanglante, où quelque 30 000 personnes disparaissent et près de 500 bébés sont volés. Mais s’ouvre également une période d’ultralibéralisme d&ea...
Blindspot Gallery is pleased to present Coastline featuring emerging Chinese photographer Zhang Xiao’s award-winning series Coastline that focuses on the continuous 18,000 kilometres of China’s coastline. The series does not merely capture the seaside landscape of these coastal areas, but also witnesses the changes o...
Du dépouillement des clichés de Catherine Lambermont se dégage une poésie narrative. Ses images composent une suite d’instants d’observation libre. Son travail réhabilite le continuum qui caractérise chaque frontière. La frontière est le lieu du lien. Entre le corps et l’es...
Eric Rondepierre a choisi de montrer au sein d'un travail multiforme, certaines des oeuvres qui ont partie liée au cinéma, depuis ses débuts en 1992. Sur un parcours de vingt ans, 56 pièces ont été prélevées dans dix séries : Excédents, Annonces, Précis...
Simone Nieweg is a photographer of gardens and landscapes. Her work, as it has manifested itself over the past thirty years, knows no other interest. At the same time, a certain serenity hovers over her pictures. In them, nature seems entirely focused on itself. One immediately notices that human beings are absent. The allure of colors and shapes...
« Je ne peux m’empêcher, atteste Gérard Uféras, d’associer la pratique de l’Art à la notion d’amour et de partage ». (extrait de son livre Etats de grâce, éditions du Fantom)
«Egyptian pack» evokes many associations - here are both Petersburgers favorite topic of werewolves (see the movie of E. Yufit «Corpsmen werewolves») and references to the Perm animal style.
Also we can recall British film «The Wicker Man» (1973) with its ritual procession of the man-beasts, ho...
Mots clés / Tags :
artists, germany, function, photography, its, space, with, medium, uk, exhibition, warhol, usa, related, presentation, yass, catherine, poland, richter, gerhard, kelm, 
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