'Food' unites a selection of Penn's photographs dating from the late 1940's through to 2000 in the first exclusive exhibition of his food still life images. Departing from the long tradition of still life painting, Irving Penn turned his own photographic eye to the subject and is heralded one of the twentieth century's most revered masters of this time-honoured genre. Bringing a modernist sensibility to the presentation of still life, Penn's approach appears classical to us today; yet his edginess and wit continues to shock as well as delight, as seen in his editorial pages for Vogue through to the rawer work of his later years where he explores objects such as bones, rubbish and cigarette butts.
"Penn has been one of photography's conspicuous innovators and distinguished performers in at least two of the medium's oldest and most successful genres: still life and portraiture." John Szarkowski.
The character of Penn's still life subjects is parallel to the character of his portraits; Szarkowski went on to say. His portraits claimed people were interesting enough they did not need to be photographed with the support of a glamorous backdrop and his still lives - sides of beef, heads of cheese, spoons, cigarette butts on saucers, lipstick stains on glasses - if properly considered, contained all the necessary ingredients for a captivating plot. 'Food' takes on a striking nobility in which Penn presents order and elegant simplicity with materials that one might consider less than promising.
Irving Penn (born 1917, Plainfield, NJ) began his prolific career in photography in 1944 under the guidance of Alexander Liberman, then art director of Vogue magazine. His areas of interest include fashion, portraits, places, people, still life, objects, food and flowers. Penn is recognised as one of the worlds leading photographers of our time, he has exhibited internationally and published numerous books including Moments Preserved (1960); Flowers (1980) and Notebook at Random (2004). His work is held in the permanent collections at Metropolitan Museum of Art, New York; Museum of Modern Art, New York; J. Paul Getty Museum, LA; Art Institute of Chicago and the Moderna Museet, Stockholm amongst others.
Une Ford Pick-up, une Pan/Shovel 66, une Custom 2004 (Jeffrey), une Triumph 69 (Vince), une El Camino 64, une Bel Air 65 (peinte par Vince), une Duo Glide 62, une Comet (qui appartenait à Steve Mc Queen), une Special Construction 2000 (toutes, OM), une Harley 1969, une Dyna 2003 (Wes),une Pan 59, une Pan 62, une Pan 65 (John Copeland), une Sportster 68 (Dr...
Le conte photographique l’Emouvantail, se veut être « l’Echo » d’une histoire d’amour entre un épouvantail etune jeune femme, la Dame de l’O qui pourrait être celle de chacun d’entre nous… Mais pas seulement…
Créée par le Musée de l’Elysée à Lausanne, l’exposition Hans Steiner Chronique de la vie moderne a été présentée à la Fotostiftung de Winterthour, à la Médiathèque Valais-Martigny et au Museo Villa dei Cedri de Bellinzona.
Mouna Saboni est d'origine bretonne, de mère française et de père marocain. Elle a 23 ans et termine sa troisième année à l’ENSP d’Arles. Je voudrais voir la mer est présentée dans le cadre du festival des Boutographies, Rencontres Photographiques de Montpellier dédiées aux jeunes photographes. La série sél...
Awol Erizku's photographs reference classical art works to include models of color in order to emphasize, and draw attention to the lack of racial diversity represented in art history.
Erizku creates images such as, Girl with a Bamboo Earring, 2009 in which he repl...
Originally conceived for and presented at the Museum of Fine Arts Houston, the upcoming exhibition at the Helmut Newton Foundation is dedicated to Newton’s first three legendary publications. The motifs published in the books have been transformed into exhibition prints. During Newton’s lifetime, these photographs bordering between fashion and nude ph...