Los Angeles based, Detroit native Neal Spector is no stranger to the limelight. Before commencing work as an artist, Spector was one of the foudning creatives behind one of Hollywood's biggest creative firms. Years of exposure to both television and conspicuous consumption inspired him to create the 'Labels' body of work. Taking the television show 'What's My Line?' as his cue, Spector's work is a curious mix of influences. References to Richard Prince, Jenny Holzer and Barbara Kruger all exist, creating powerful portraits that convey a telling critique on the society we live in. Spector works in both colour and black and white, using digitally manipulated original source imagery and vintage photography.
'Labels' is a collection of portraits that make a telling commentary on the contemporary world in which we live. Each image superimposes the sitters occupation over the yearbook style portrait. The work is divided into two separate categories; colour images of childen and black and white vintage images of adults. All photographs are c prints on paper. Black and white images are available individually, colour images come as an installation of nine images. Each occupation is true to the sitter and reflects their real occupation. The synergy between these statements and images is startling, with the viewer expecting the two to be an artificial, not natural union.
DIEHL starts its “Flaneur” selection with 42 works of the Soviet photo journalist Dmitry Baltermants. Best known for his pictures of the Soviet battlefield during World War II.
During World War II, Baltermants covered major battles for Izvestia and for the Red Army newspaper Na Razgrom Vraga. He fought and photographe...
Le 24 mars 1976, le peuple argentin subit un coup d’état militaire. C’est le début d’une ère de répression sanglante, où quelque 30 000 personnes disparaissent et près de 500 bébés sont volés. Mais s’ouvre également une période d’ultralibéralisme d&ea...
Blindspot Gallery is pleased to present Coastline featuring emerging Chinese photographer Zhang Xiao’s award-winning series Coastline that focuses on the continuous 18,000 kilometres of China’s coastline. The series does not merely capture the seaside landscape of these coastal areas, but also witnesses the changes o...
Du dépouillement des clichés de Catherine Lambermont se dégage une poésie narrative. Ses images composent une suite d’instants d’observation libre. Son travail réhabilite le continuum qui caractérise chaque frontière. La frontière est le lieu du lien. Entre le corps et l’es...
Eric Rondepierre a choisi de montrer au sein d'un travail multiforme, certaines des oeuvres qui ont partie liée au cinéma, depuis ses débuts en 1992. Sur un parcours de vingt ans, 56 pièces ont été prélevées dans dix séries : Excédents, Annonces, Précis...
Simone Nieweg is a photographer of gardens and landscapes. Her work, as it has manifested itself over the past thirty years, knows no other interest. At the same time, a certain serenity hovers over her pictures. In them, nature seems entirely focused on itself. One immediately notices that human beings are absent. The allure of colors and shapes...
« Je ne peux m’empêcher, atteste Gérard Uféras, d’associer la pratique de l’Art à la notion d’amour et de partage ». (extrait de son livre Etats de grâce, éditions du Fantom)
«Egyptian pack» evokes many associations - here are both Petersburgers favorite topic of werewolves (see the movie of E. Yufit «Corpsmen werewolves») and references to the Perm animal style.
Also we can recall British film «The Wicker Man» (1973) with its ritual procession of the man-beasts, ho...