As part of Photo Month 2008 and for the first time in France, the Centre culturel suisse is presenting a monographic exhibition of photographs by Shirana Shahbazi.
Born in Tehran in 1974, the artist came to Europe with her family in 1985 and now lives in Zurich. Her photos, taken at different times on visits to Berlin, Zurich, Los Angeles or Tehran, are a mix of portraits, landscapes or still life, whose subjects and scenes collide with each other making it difficult to distinguish the places, countries or origins depicted. Her installations are a diverse series of formal or conceptual associations of photographs in different and often gigantic formats.
Recurring themes can be seen in Shahbazi's compositions which are often inspired by the Dutch and Flemish classics of the 17th century or from advertising, like baskets of fruit, shells and still life from hunts, and she often isolates particular elements and works them to the limits of representation.
Her photos have a certain universalistic abstraction, sometimes even veering towards a total absence of subject, apart from pure colour itself.
Even though Shirana Shahbazi draws from her origins to contrast them with western culture, her work refutes and avoids any distinctive identity other than her own.
It is therefore sometimes difficult for the spectator to perceive the time and place of these images which form part of the global representation of contemporary photography.
DIEHL starts its “Flaneur” selection with 42 works of the Soviet photo journalist Dmitry Baltermants. Best known for his pictures of the Soviet battlefield during World War II.
During World War II, Baltermants covered major battles for Izvestia and for the Red Army newspaper Na Razgrom Vraga. He fought and photographe...
Le 24 mars 1976, le peuple argentin subit un coup d’état militaire. C’est le début d’une ère de répression sanglante, où quelque 30 000 personnes disparaissent et près de 500 bébés sont volés. Mais s’ouvre également une période d’ultralibéralisme d&ea...
Blindspot Gallery is pleased to present Coastline featuring emerging Chinese photographer Zhang Xiao’s award-winning series Coastline that focuses on the continuous 18,000 kilometres of China’s coastline. The series does not merely capture the seaside landscape of these coastal areas, but also witnesses the changes o...
Du dépouillement des clichés de Catherine Lambermont se dégage une poésie narrative. Ses images composent une suite d’instants d’observation libre. Son travail réhabilite le continuum qui caractérise chaque frontière. La frontière est le lieu du lien. Entre le corps et l’es...
Eric Rondepierre a choisi de montrer au sein d'un travail multiforme, certaines des oeuvres qui ont partie liée au cinéma, depuis ses débuts en 1992. Sur un parcours de vingt ans, 56 pièces ont été prélevées dans dix séries : Excédents, Annonces, Précis...
Simone Nieweg is a photographer of gardens and landscapes. Her work, as it has manifested itself over the past thirty years, knows no other interest. At the same time, a certain serenity hovers over her pictures. In them, nature seems entirely focused on itself. One immediately notices that human beings are absent. The allure of colors and shapes...
« Je ne peux m’empêcher, atteste Gérard Uféras, d’associer la pratique de l’Art à la notion d’amour et de partage ». (extrait de son livre Etats de grâce, éditions du Fantom)
«Egyptian pack» evokes many associations - here are both Petersburgers favorite topic of werewolves (see the movie of E. Yufit «Corpsmen werewolves») and references to the Perm animal style.
Also we can recall British film «The Wicker Man» (1973) with its ritual procession of the man-beasts, ho...
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shahbazi, often, with, photos, shirana, representation, tehran, zurich, different, sometimes, origins, them, photographs, life, time, which, difficult, still, it, even, 
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