An exhibition by the Akademie der Künste, Berlin, and the ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe
"Notation" focuses on the multifaceted range of artistic processes that exists between the concept and the work. Works from all realms of art and dating from 1900 to today are placed in relation to one another: sign systems to do with literature, music, painting, choreography, architecture, photography, film and media art. Approximately 450 artistic approaches by more than 100 artists have been brought together from international collections, the ZKM | Karlsruhe and the archives of the Akademie der Künste.
By linking scientific calculation and artistic form, 20th century artists were in a position to render new realities visible. Modernism rediscovered the spiritual side of existence, immaterial phenomena, the ephemeral - morphic resonances, serial structures and sound waves - as a field of research for the arts. Thus the relationship between concept, notation, repetition and work was radically redefined; resulting in the draft processes themselves becoming autonomous artworks. These are now the main focus of the exhibition curated by the image-theorist Hubertus von Amelunxen, the artist Dieter Appelt and the media artist Peter Weibel. The exhibition was developed in collaboration with Angela Lammert from the Akademie der Künste, and Bernhard Serexhe from the ZKM | Karlsruhe.
Une Ford Pick-up, une Pan/Shovel 66, une Custom 2004 (Jeffrey), une Triumph 69 (Vince), une El Camino 64, une Bel Air 65 (peinte par Vince), une Duo Glide 62, une Comet (qui appartenait à Steve Mc Queen), une Special Construction 2000 (toutes, OM), une Harley 1969, une Dyna 2003 (Wes),une Pan 59, une Pan 62, une Pan 65 (John Copeland), une Sportster 68 (Dr...
Le conte photographique l’Emouvantail, se veut être « l’Echo » d’une histoire d’amour entre un épouvantail etune jeune femme, la Dame de l’O qui pourrait être celle de chacun d’entre nous… Mais pas seulement…
Créée par le Musée de l’Elysée à Lausanne, l’exposition Hans Steiner Chronique de la vie moderne a été présentée à la Fotostiftung de Winterthour, à la Médiathèque Valais-Martigny et au Museo Villa dei Cedri de Bellinzona.
Mouna Saboni est d'origine bretonne, de mère française et de père marocain. Elle a 23 ans et termine sa troisième année à l’ENSP d’Arles. Je voudrais voir la mer est présentée dans le cadre du festival des Boutographies, Rencontres Photographiques de Montpellier dédiées aux jeunes photographes. La série sél...
Awol Erizku's photographs reference classical art works to include models of color in order to emphasize, and draw attention to the lack of racial diversity represented in art history.
Erizku creates images such as, Girl with a Bamboo Earring, 2009 in which he repl...
Originally conceived for and presented at the Museum of Fine Arts Houston, the upcoming exhibition at the Helmut Newton Foundation is dedicated to Newton’s first three legendary publications. The motifs published in the books have been transformed into exhibition prints. During Newton’s lifetime, these photographs bordering between fashion and nude ph...