Photo Mandalas : Bill Armstrong and Milan Fano Blatny at The Philadelphia Museum of Art
+0
Le 2008-09-13 14:44:22
Partager:
While the mandala is an artistic form rarely associated with photography, a new exhibition at the Philadelphia Museum of Art, Photo Mandalas: Bill Armstrong and Milan Fano Blatny, will present more than thirty-five works by Armstrong (American, born 1952) and Blatny (Czech, born 1972), two contemporary photographers who have been inspired by this ancient symbol. The artists draw on the mandala concept in producing these images, although they have interpreted it liberally. While their technical approaches to representing the mandala are quite different, both Armstrong and Blatny employ the potent and universal symbol of forms emanating from a central core to inspire contemplation and wonder.
Bill Armstrong is a New York City based fine art photographer who has been shooting in color for over thirty years. He has been a photography instructor on the faculty of the International Center of Photography since 2001 and an adjunct professor of photography at the School of Visual Arts since 2003. Mr. Armstrong’s work is in numerous museum collections worldwide including the Philadelphia Museum of Art; the Brooklyn Museum; the Museum of Fine Arts, Houston; Santa Barbara Museum of Art; the Musée de l’Elysée in Lausanne; and the Centro Internazionale di Fotografia in Milan. Mr. Armstrong is represented by ClampArt.
The Philadelphia Museum of Art is among the largest art museums in the United States, showcasing more than two thousand years of exceptional human creativity in masterpieces of painting, sculpture, works on paper, decorative arts and architectural settings from Europe, Asia, and the Americas. The striking neoclassical building stands on a nine-acre site above the Benjamin Franklin Parkway and houses more than two hundred galleries. The Museum offers a wide variety of enriching activities, including programs for children and families, lectures, concerts, and films.
DIEHL starts its “Flaneur” selection with 42 works of the Soviet photo journalist Dmitry Baltermants. Best known for his pictures of the Soviet battlefield during World War II.
During World War II, Baltermants covered major battles for Izvestia and for the Red Army newspaper Na Razgrom Vraga. He fought and photographe...
Le 24 mars 1976, le peuple argentin subit un coup d’état militaire. C’est le début d’une ère de répression sanglante, où quelque 30 000 personnes disparaissent et près de 500 bébés sont volés. Mais s’ouvre également une période d’ultralibéralisme d&ea...
Blindspot Gallery is pleased to present Coastline featuring emerging Chinese photographer Zhang Xiao’s award-winning series Coastline that focuses on the continuous 18,000 kilometres of China’s coastline. The series does not merely capture the seaside landscape of these coastal areas, but also witnesses the changes o...
Du dépouillement des clichés de Catherine Lambermont se dégage une poésie narrative. Ses images composent une suite d’instants d’observation libre. Son travail réhabilite le continuum qui caractérise chaque frontière. La frontière est le lieu du lien. Entre le corps et l’es...
Eric Rondepierre a choisi de montrer au sein d'un travail multiforme, certaines des oeuvres qui ont partie liée au cinéma, depuis ses débuts en 1992. Sur un parcours de vingt ans, 56 pièces ont été prélevées dans dix séries : Excédents, Annonces, Précis...
Simone Nieweg is a photographer of gardens and landscapes. Her work, as it has manifested itself over the past thirty years, knows no other interest. At the same time, a certain serenity hovers over her pictures. In them, nature seems entirely focused on itself. One immediately notices that human beings are absent. The allure of colors and shapes...
« Je ne peux m’empêcher, atteste Gérard Uféras, d’associer la pratique de l’Art à la notion d’amour et de partage ». (extrait de son livre Etats de grâce, éditions du Fantom)
«Egyptian pack» evokes many associations - here are both Petersburgers favorite topic of werewolves (see the movie of E. Yufit «Corpsmen werewolves») and references to the Perm animal style.
Also we can recall British film «The Wicker Man» (1973) with its ritual procession of the man-beasts, ho...