Magnum Photos and the Flo Peters Gallery present the sensational rediscovery of the first Magnum Group exhibition of 1955.
Research shows that the exhibition "Face of Time" was first shown in June/July 1955 in the French Cultural Institute in Innsbruck. Their existence forgotten, the 83 Magnum Vintage Prints lay hidden in two wooden boxes in the basement of the French Cultural Institute for more than 50 years. Only in 2006 was this treasure rediscovered and returned to Magnum Photos. This unique historical discovery revises the belief that the Magnum exhibition curated by Fritz Gruber for the Colonial photokina in the autumn of 1956 was the first.
This rediscovered original exhibition of 83 images from 8 photographers of the first Magnum-generation is now presented exclusively at the Flo Peters Gallery. Included are Henri Cartier-Bresson's reportage on his encounter with Mahatma Gandhi shortly before his death, Marc Riboud's picture series from the Balkans and Jean Marquis' images from Hungary. Works by Werner Bischof and Robert Capa are also shown. Ernst Haas is presented with a series that emerged during the shooting of the Hollywood film "Country of the Pharaoes" under the direction of Howard Hawks while the London district of Mayfair is the subject of the works of Inge Morath. Erich Lessing's pictures show the children of Vienna.
The catalogue "MAGNUM'S first" by Hantje Cantz, edited by Peter Coeln, Prof. Achim Heine and Andréa Holzherr with an introduction by Dr. Christoph Schaden, art historian, publisher and member of the executive committee of the German Society for Photography, shows a complete documentation of this historical exhibition.
With her series "The German Forest", photographer Sabine Wenzel undertakes a photographic journey through nature. Tree landscapes around Germany being her subjects, it is not easy to establish whether her work is photography or painting. Yet this "irritation" is intended. The artist wants to create photographic images that transcend reality. Thus, Sabine Wenzel manages to depict the diversity of atmosphere in a forest in an impressive manner. Through the combination of light, shadow and darkness, every picture seems inviting and threatening at the same time.
The Flo Peters Gallery First Floor presents a selection of large-size works from this series.
Sabine Wenzel (*1966) studied at the Academy of Visual Arts, Leipzig and at the University of Art and Design, Halle. She lives and works in Berlin.
Women of Power consists of 29 color photographs depicting Polish witches, healers, sorceresses, visionaries, spiritual leaders and shamanic techniques practitioners.
According to what Ewelina Jarosz wrote about Women of Power : "The title points to Katarzyna Majak's intenti...
C’est à une invitation à la sérénité et à un retour sur soi que nous propose Yves Marcellin dans cette exposition inédite, installation photographique consacrée aux cinq remémorations du Bouddha.
Empreint des écrits du vénérable moine bouddhiste Thich Nhat Hanh, et plus particulièrement sensi...
With "The Family of Dog", Michael Ruetz has created, over the last 50 years, a unique body of photographic work. Superficially, these images might appear to pay tribute to the established forms of animal photography. But a second, more focused view shows that the reverse is true. Ruetz' pictures are as far removed from those of the animal specialist...
Failed States is an exploration of coincidence and poetics amid the barriers and bureaucracy of governmental power.
In January 2010, while on a trip to research the history of snipers in Austin, Texas, Magid witnessed a mysterious shooting on the steps of the State Capitol. After attempting to speak with a state empl...
Une Ford Pick-up, une Pan/Shovel 66, une Custom 2004 (Jeffrey), une Triumph 69 (Vince), une El Camino 64, une Bel Air 65 (peinte par Vince), une Duo Glide 62, une Comet (qui appartenait à Steve Mc Queen), une Special Construction 2000 (toutes, OM), une Harley 1969, une Dyna 2003 (Wes),une Pan 59, une Pan 62, une Pan 65 (John Copeland), une Sportster 68 (Dr...
Le conte photographique l’Emouvantail, se veut être « l’Echo » d’une histoire d’amour entre un épouvantail etune jeune femme, la Dame de l’O qui pourrait être celle de chacun d’entre nous… Mais pas seulement…
Créée par le Musée de l’Elysée à Lausanne, l’exposition Hans Steiner Chronique de la vie moderne a été présentée à la Fotostiftung de Winterthour, à la Médiathèque Valais-Martigny et au Museo Villa dei Cedri de Bellinzona.