inscrivez-vous Pas encore membre ? Inscrivez-vous | Connexion Connectez-vous

 
Rubrique(s) : expositions, > Richard Green : Wild Places


Richard Green : Wild Places
+0
moins
plus


Le 2008-08-13 23:13:29

Partager:


g

Richard Green visits the most remote parts of the Australian outback to capture the country’s majestic, untouched beauty unlike any photographer before. Opens at Byron McMahon Gallery, 27 August 2008.
The Sydney-based photographer’s first solo exhibition in Sydney is a provocative and intensely lyrical collection of landscape images showing the stark beauty of Australia’s most remote areas. Importantly, many of the regions he records have never previously been captured photographically.
Wild Places comprises more than 20 breath-taking Australian panorama landscapes and portraits. Large in content and scale, several of the images are more than two metres long to suitably depict the poetic beauty of the Australian bush in its majestic proportions. From the wide open skies of the Central Deserts to the heat-scorched Top End and the wind-stripped Tasmanian Wilderness, each is a testament to Australia’s natural environment which has stood the test of time.
“Richard Green’s photographs bring Australia’s landscape to life in a fresh celebration of the breathtakingly beautiful environment in which we live. Green’s images are aesthetically overpowering and a very humbling reminder of the pure, raw splendour of nature,” said Gallery Director Sandra Byron.
Born in England and trained as a physicist, Green sold his technology conventions business in the late 1980s to take early retirement. Soon after, he obtained his helicopter pilot’s licence and emigrated to Australia to further his two favourite passions, photography and flying. Thanks to his helicopter, he has been able to photograph the most remote parts of Australia, many of which are not accessible by land even with a four-wheel drive.
For the past 20 years he and his wife, Carolyn, have made regular trips exploring and photographing outback Australia. Surprisingly, this is Green’s first solo exhibition in Sydney. But the photographer says it is only through recent developments in digital technology that he has been able to achieve a level of quality which meets his satisfaction. Using 17 and 21 mega-pixel cameras, his preferred style is to merge multiple high resolution images to create one photograph of astounding depth and detail.
Green’s work is not without its dangers. “We spend a lot of time flying over 'tiger country' and the twin turbine helicopter gives us a good margin of safety. We are well aware that if we have a problem in most of these places there is no help for many hundreds of kilometres, so we need to be prepared for any eventuality. I have extensively modified the helicopter to incorporate full camping facilities including solar ground power, a fridge and deep freeze. I also carry a wide range of emergency equipment including spare parts and tools, and have been authorised by CASA to do all my own repairs on the helicopter. We carry over 40 litres of water and sufficient food to survive for several weeks out bush should we need it".
Fortunately, they have not needed it to-date. The risks he takes are, however, paying off. Having exhibited for the first time in 2007, Green is quickly building a reputation as an emerging and highly sought-after photographic talent. In the next six months, his works will go on display at the National Library in Canberra for the inaugural Vivid photographic festival. Several Richard Green landscapes will also be incorporated as large-scale backdrops into a new permanent display at The Australian Museum this June.
Green is hopeful that the popularity of his images will build environmental awareness. An active conservationist, he is passionate about the politics of climate change and commercialisation. “The potential impact of environmental damage is still not fully appreciated. I’d like to think my images may help convince politicians and the public that the environment’s protection is key to our continued existence on the planet. If significant changes are not made, in years to come my images will remain as a record of the magnificent wilderness that once existed.”
Richard Green’s images are in private collections in Canada, Germany, France, England, Africa and Australia.



   Réagissez à cet article


Pseudo


Email (Confidentiel)


Commentaire




Code de validation






Mots clés / Tags : green, his, images, australia, he, helicopter, not, which, been, will, australian, most, richard, as, many, first, my, time, ldquo, sydney,

Partager:

Permalien :


  Articles dans la même rubrique
  Dmitry Baltermants : 
The Sovjet Union between 1940s and 1970s
War, Life & Glory

DIEHL starts its “Flaneur” selection with 42 works of the Soviet photo journalist Dmitry Baltermants. Best known for his pictures of the Soviet battlefield during World War II.

During World War II, Baltermants covered major battles for Izvestia and for the Red Army newspaper Na Razgrom Vraga. He fought and photographe...

    Lire la suite



  Franck Boutonnet pour une série sur l'Argentine

Le 24 mars 1976, le peuple argentin subit un coup d’état militaire. C’est le début d’une ère de répression sanglante, où quelque 30 000 personnes disparaissent et près de 500 bébés sont volés. Mais s’ouvre également une période d’ultralibéralisme d&ea...

    Lire la suite



  La côte chinoise par Zhang Xiao

Blindspot Gallery is pleased to present Coastline featuring emerging Chinese photographer Zhang Xiao’s award-winning series Coastline that focuses on the continuous 18,000 kilometres of China’s coastline. The series does not merely capture the seaside landscape of these coastal areas, but also witnesses the changes o...

    Lire la suite



  Le "In/Out" de Catherine Lambermont

Du dépouillement des clichés de Catherine Lambermont se dégage une poésie narrative. Ses images composent une suite d’instants d’observation libre. Son travail réhabilite le continuum qui caractérise chaque frontière. La frontière est le lieu du lien. Entre le corps et l’es...

    Lire la suite



  Eric Rondepierre à l'Arsenal de Metz

Eric Rondepierre a choisi de montrer au sein d'un travail multiforme, certaines des oeuvres qui ont partie liée au cinéma, depuis ses débuts en 1992. Sur un parcours de vingt ans, 56 pièces ont été prélevées dans dix séries : Excédents, Annonces, Précis ...

    Lire la suite



  Simone Nieweg, la photographe des paysages

Simone Nieweg is a photographer of gardens and landscapes. Her work, as it has manifested itself over the past thirty years, knows no other interest. At the same time, a certain serenity hovers over her pictures. In them, nature seems entirely focused on itself. One immediately notices that human beings are absent. The allure of colors and shapes...

    Lire la suite



  Les "Corps & Graphie" de Gérard Uféras

« Je ne peux m’empêcher, atteste Gérard Uféras, d’associer la pratique de l’Art à la notion d’amour et de partage ». (extrait de son livre Etats de grâce, éditions du Fantom)

Vingt années durant, Gérard Uféras a &eac...

    Lire la suite



  Du nouveau à la Pobeda Gallery

«Egyptian pack» evokes many associations - here are both Petersburgers favorite topic of werewolves (see the movie of E. Yufit «Corpsmen werewolves») and references to the Perm animal style.

Also we can recall British film «The Wicker Man» (1973) with its ritual procession of the man-beasts, ho...

    Lire la suite



 


Photographe(s)

Richard Green

Byron McMahon Gallery
88 George Street Redfern
2016 Sydney 
États-Unis

Voir tous les lieux

Du 27/8/2008 au 27/9/2008

Statut : expositions terminé











 




Les touristes découvrent sur leurs photos les sites qu'ils avaient renoncé à regarder pour trouver le temps de les prendre.
Jean Delacour   














     Inscrivez-vous


     Dès maintenant et restez informé
     de toute l'actualité photo !