The exhibition is produced in collaboration with Michel Rein Gallery in Paris.
Post-Identity Strategies is an exhibition devoted to ORLAN’s works, a multi-medium and inter-disciplinary artist, who, as a protagonist, has journeyed through the most important art movements from the mid-sixties to now as an extraordinary protagonist.
Her work moves beyond the many “posts” and “isms” of art history, and her unique style has always been that of a complex, irreverent, ironic, blasphemous, iconoclastic artist, for whom the provocation of flesh, the reverse of the body, art and life, the constant oscillation between the real and the virtual, the play of identity, reach the heights of poetry.
From the artist’s reinterpretation of Judeo-Christian iconography, based on a depth study of the Baroque metaphor in general, and of Bernini’s Saint Theresa in particular, ORLAN creates an “hagiographic” declension of the Body Art, investigated through a kind of alter-ego: Saint ORLAN, who will be symptomatic of her artistic journey.
In the surgical-operation-performances of early nineties, her identity research is “reincarnated” to present the climax of a long cognitive process. ORLAN transformed the operating room into an artist’s studio where an artwork was produced, thus inaugurating the mutating paradigm of contemporary art - a progressive return to “bodily” themes - in a direct relationship with new technologies and biotechnologies, a new trend where the French artist once again appears at the front. The appropriation of plastic surgery as a creative art form, both as subject and object of the performance in which the “oeuvre-action” integrates the artist’s body, marks the passage of Body Art into Carnal Art in
ORLAN’s work.
In the Self-Hybridization series (Pre-Colombian, African and the more recent ones on Native Americans), ORLAN continues and extends her journey through infinity of possible physical identities. By using various canons of beauty and aesthetics from different times and places, the artist creates “living” totemic figures, almost tangible in their virtuality, fascinating in their disturbing appearance and seductive in their artificial otherness.
Le 24 mars 1976, le peuple argentin subit un coup d’état militaire. C’est le début d’une ère de répression sanglante, où quelque 30 000 personnes disparaissent et près de 500 bébés sont volés. Mais s’ouvre également une période d’ultralibéralisme d&ea...
Blindspot Gallery is pleased to present Coastline featuring emerging Chinese photographer Zhang Xiao’s award-winning series Coastline that focuses on the continuous 18,000 kilometres of China’s coastline. The series does not merely capture the seaside landscape of these coastal areas, but also witnesses the changes o...
Du dépouillement des clichés de Catherine Lambermont se dégage une poésie narrative. Ses images composent une suite d’instants d’observation libre. Son travail réhabilite le continuum qui caractérise chaque frontière. La frontière est le lieu du lien. Entre le corps et l’es...
Eric Rondepierre a choisi de montrer au sein d'un travail multiforme, certaines des oeuvres qui ont partie liée au cinéma, depuis ses débuts en 1992. Sur un parcours de vingt ans, 56 pièces ont été prélevées dans dix séries : Excédents, Annonces, Précis...
Simone Nieweg is a photographer of gardens and landscapes. Her work, as it has manifested itself over the past thirty years, knows no other interest. At the same time, a certain serenity hovers over her pictures. In them, nature seems entirely focused on itself. One immediately notices that human beings are absent. The allure of colors and shapes...
« Je ne peux m’empêcher, atteste Gérard Uféras, d’associer la pratique de l’Art à la notion d’amour et de partage ». (extrait de son livre Etats de grâce, éditions du Fantom)
«Egyptian pack» evokes many associations - here are both Petersburgers favorite topic of werewolves (see the movie of E. Yufit «Corpsmen werewolves») and references to the Perm animal style.
Also we can recall British film «The Wicker Man» (1973) with its ritual procession of the man-beasts, ho...
La MID inaugure avec L’exposition Un photographe à Cette, un cycle d’événements annuels consacrés à la mise en valeur de la Mémoire photographique régionale.
Une cinquantaine de tirages réalisés à partir du fond privé de la collection Robert Cortade,...
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