With the installation of the 14 photographs in Voyager, Silvio Wolf leads gallery visitors on a metaphorical journey enveloping the full range of photographic capabilities, weaving in and out of representation and abstraction. Beginning with an aerial view of seats at Milan's famous opera house, La Scala, Wolf signals that we are entering a world of theater and narrative. But the gallery visitor is not merely passive viewer. Rather than rooted in our chairs, Wolf's photo suggests we have transcended our assigned place, and are active performers. Indeed, photography as medium and structure are at the heart of Wolf's ongoing discourse. The ability of the medium to record and present information takes center stage, and necessarily light serves as the nominal content. The resultant forms play in abstraction, teetering on recognizable shapes and textures, ultimately articulating a meta-photography. A Rothko-esque panel finds the exquisite beauty in the striations of film leader — normally discarded on the darkroom floor, but here elevated to a higher status that is conceptual as well as perceptual. As the association with Rothko suggests, Wolf's work is never purely about structural exercises, but is grounded by the human and the emotional. Each photograph rivals the scale of the body, and in the glassy reflection of each piece the viewer is brought into the unfolding drama of the image, an effect reminiscent of Michelangelo Pistoletto's mirror paintings. The metaphorical journey of Voyager ends with a return to definable subjects: a tree in the morning mist, perhaps other voyagers ahead in the fog. Through the rhythms of appearance and disappearance, Wolf's theater of light investigates the epistemological potential of image-making, embracing the thresholds where the visible becomes manifest.
Women of Power consists of 29 color photographs depicting Polish witches, healers, sorceresses, visionaries, spiritual leaders and shamanic techniques practitioners.
According to what Ewelina Jarosz wrote about Women of Power : "The title points to Katarzyna Majak's intenti...
C’est à une invitation à la sérénité et à un retour sur soi que nous propose Yves Marcellin dans cette exposition inédite, installation photographique consacrée aux cinq remémorations du Bouddha.
Empreint des écrits du vénérable moine bouddhiste Thich Nhat Hanh, et plus particulièrement sensi...
With "The Family of Dog", Michael Ruetz has created, over the last 50 years, a unique body of photographic work. Superficially, these images might appear to pay tribute to the established forms of animal photography. But a second, more focused view shows that the reverse is true. Ruetz' pictures are as far removed from those of the animal specialist...
Failed States is an exploration of coincidence and poetics amid the barriers and bureaucracy of governmental power.
In January 2010, while on a trip to research the history of snipers in Austin, Texas, Magid witnessed a mysterious shooting on the steps of the State Capitol. After attempting to speak with a state empl...
Une Ford Pick-up, une Pan/Shovel 66, une Custom 2004 (Jeffrey), une Triumph 69 (Vince), une El Camino 64, une Bel Air 65 (peinte par Vince), une Duo Glide 62, une Comet (qui appartenait à Steve Mc Queen), une Special Construction 2000 (toutes, OM), une Harley 1969, une Dyna 2003 (Wes),une Pan 59, une Pan 62, une Pan 65 (John Copeland), une Sportster 68 (Dr...
Le conte photographique l’Emouvantail, se veut être « l’Echo » d’une histoire d’amour entre un épouvantail etune jeune femme, la Dame de l’O qui pourrait être celle de chacun d’entre nous… Mais pas seulement…
Créée par le Musée de l’Elysée à Lausanne, l’exposition Hans Steiner Chronique de la vie moderne a été présentée à la Fotostiftung de Winterthour, à la Médiathèque Valais-Martigny et au Museo Villa dei Cedri de Bellinzona.