m97 Gallery is pleased to present "Theme: Park", two black-and-white solo photography exhibitions by Yan Cheng and Yan Changjiang. Yan Cheng's series of photographs titled "Echo" is a still reflection on the time-worn amusement parks in China's rust-belt city of Shenyang. Yan Changjiang's series "Zoo at Night" captures the freedom and confinement of wild creatures roaming the darkness in an animal park on the outskirts of Guangzhou. Without focusing on the public, both bodies of work are explorations of man-made public space, theme-park-like creations for human entertainment, human consumption, and human escape.
Yan Cheng's "Echo" photographs are a meditation of silence in the city, an urban playground, void of people. The rusted rides and roller coasters somehow embodying the innocence of the children that once played upon them. Evoking a sense of nostalgia through his photographs, Yan Cheng's "Echo" series is a testament to the passage of time and the ever-changing pleasures and pastimes of modern society. Now replaced by internet bars, video games, and a barrage of electronic and virtual entertainment, "Echo" asks the viewer to consider the notion of innocence lost and to ponder the profundity that can be found in something as simple as a day at the park.
Yan Changjiang's "Zoo at Night" photographs depict animals on display and others roaming the darkness within the confines of a nighttime zoo. Giraffes juxtaposed with light poles, flamingos under floodlights, antelope running across paved paths. Yan Changjiang's photographs attain a "magical realism" through his use of lighting as well as the exotic creatures that become his suburban subjects. In the end, the metaphor of his work implies that we the viewers are just as much the animals on display, at times running wildly through the night, at times looking for respite from the glare of the artificial street lights, all within the boundaries of our own theme park.
DIEHL starts its “Flaneur” selection with 42 works of the Soviet photo journalist Dmitry Baltermants. Best known for his pictures of the Soviet battlefield during World War II.
During World War II, Baltermants covered major battles for Izvestia and for the Red Army newspaper Na Razgrom Vraga. He fought and photographe...
Le 24 mars 1976, le peuple argentin subit un coup d’état militaire. C’est le début d’une ère de répression sanglante, où quelque 30 000 personnes disparaissent et près de 500 bébés sont volés. Mais s’ouvre également une période d’ultralibéralisme d&ea...
Blindspot Gallery is pleased to present Coastline featuring emerging Chinese photographer Zhang Xiao’s award-winning series Coastline that focuses on the continuous 18,000 kilometres of China’s coastline. The series does not merely capture the seaside landscape of these coastal areas, but also witnesses the changes o...
Du dépouillement des clichés de Catherine Lambermont se dégage une poésie narrative. Ses images composent une suite d’instants d’observation libre. Son travail réhabilite le continuum qui caractérise chaque frontière. La frontière est le lieu du lien. Entre le corps et l’es...
Eric Rondepierre a choisi de montrer au sein d'un travail multiforme, certaines des oeuvres qui ont partie liée au cinéma, depuis ses débuts en 1992. Sur un parcours de vingt ans, 56 pièces ont été prélevées dans dix séries : Excédents, Annonces, Précis...
Simone Nieweg is a photographer of gardens and landscapes. Her work, as it has manifested itself over the past thirty years, knows no other interest. At the same time, a certain serenity hovers over her pictures. In them, nature seems entirely focused on itself. One immediately notices that human beings are absent. The allure of colors and shapes...
« Je ne peux m’empêcher, atteste Gérard Uféras, d’associer la pratique de l’Art à la notion d’amour et de partage ». (extrait de son livre Etats de grâce, éditions du Fantom)
«Egyptian pack» evokes many associations - here are both Petersburgers favorite topic of werewolves (see the movie of E. Yufit «Corpsmen werewolves») and references to the Perm animal style.
Also we can recall British film «The Wicker Man» (1973) with its ritual procession of the man-beasts, ho...