Interim Thoughts, and Others consists of four series by American photographer Bill Jacobson from the past fifteen years. From the early 1990s Jacobson makes his name with his out-of-focus, painterly images that address themes of loss, mortality and spirituality. After having worked in the 1980s as a commercial photographer for the New York art scene, he returns to his own image-making at the end of the decade.
His series entitled Interim Portraits (1992-1994) is a personal reflection on life in the AIDS era. Fragile figures seem to disappear into a white field, as if extricating themselves from a mortal coil. Then follows his Thought Series (1996-1998), a series of dark monochromes that continues to address the notion of the body as something both still and constantly changing. In 1999, after returning from a trip to India, Jacobson begins working in colour on the streets of his hometown, New York. The Untitled images (2000-2001) in the exhibition present the city in an impressionistic manner, as a commentary on the fleetingness of life, at the same time playing on the status of photography as collective memory. With funny, cry, happy (2004-2006) Jacobson for the first time distances himself from his out-of-focus manner of photographing. In colourful pictures he elicits emotion and melancholy from images and objects that often go unnoticed, although they are inextricably connected with our daily life.
Eric Rondepierre a choisi de montrer au sein d'un travail multiforme, certaines des oeuvres qui ont partie liée au cinéma, depuis ses débuts en 1992. Sur un parcours de vingt ans, 56 pièces ont été prélevées dans dix séries : Excédents, Annonces, Précis...
Simone Nieweg is a photographer of gardens and landscapes. Her work, as it has manifested itself over the past thirty years, knows no other interest. At the same time, a certain serenity hovers over her pictures. In them, nature seems entirely focused on itself. One immediately notices that human beings are absent. The allure of colors and shapes...
« Je ne peux m’empêcher, atteste Gérard Uféras, d’associer la pratique de l’Art à la notion d’amour et de partage ». (extrait de son livre Etats de grâce, éditions du Fantom)
«Egyptian pack» evokes many associations - here are both Petersburgers favorite topic of werewolves (see the movie of E. Yufit «Corpsmen werewolves») and references to the Perm animal style.
Also we can recall British film «The Wicker Man» (1973) with its ritual procession of the man-beasts, ho...
La MID inaugure avec L’exposition Un photographe à Cette, un cycle d’événements annuels consacrés à la mise en valeur de la Mémoire photographique régionale.
Une cinquantaine de tirages réalisés à partir du fond privé de la collection Robert Cortade,...
Pour célébrer le lancement de son site internet (www.chipchop.com), la Galerie ChipChop vous invite à sa première exposition de photographie contemporaine La Générale. La galerie ChipChop a choisi de présenter une sélection exigeante et abordable dejeunes photographes avec des tirag...
An exciting installation by French artist Christian Boltanski (Paris, 1944). Created for the 54th Biennale of Venice, now specially adapted for the Nederlands Fotomuseum and five weeks on show in Rotterdam. Do not miss this ! CHANCE is a large scaffold with an oversized film strip. Boltanski then assembled in black and w...
A l'origine du diptyque il y a une série réalisée par Philippe Gueguen pour le magazine français WAD, magazine spécialisé dans la culture urbaine et le street wear.
Chaque numéro est traversé par un thème, celui pour lequel la série a ét&eac...