The idea of finding a landscape is the basis of the approach I believe in. You find a place in the same way you find an interesting piece of plastic on the ground or a lost page of a book in the grass. With the landscape as it is, the photograph begins with a precise point of view from
where to record. It is the eye that has to choose, not the hand.
These are landscapes of layers that have consumed, and are consuming their function: they struggle to be. Constant contradiction, a quiet undeniable brutality. The eye moves from foreground to the horizon, into the identity of these places that are a self-portrait of their own history.
Reality is the self-portrait of itself.
Domingo Milella, born in Bari 1981, lives and works between Bari and New York. He has studied photography at the School of Visual Arts, New York (2005, BFA).
His project has been developing over the course of the last 6 years, focusing on a documentation, an esthetical catalogue of "the human landscape as it is". Photography becomes the medium through which to present a landscape to the viewer, a medium to question the landscape itself.
Observation as the main action to reformulate and encourage all that's given in modern dialectics. Observation as the desire to reformulate the most banal of our categories: "the I", "the other" and the world outside.
Une Ford Pick-up, une Pan/Shovel 66, une Custom 2004 (Jeffrey), une Triumph 69 (Vince), une El Camino 64, une Bel Air 65 (peinte par Vince), une Duo Glide 62, une Comet (qui appartenait à Steve Mc Queen), une Special Construction 2000 (toutes, OM), une Harley 1969, une Dyna 2003 (Wes),une Pan 59, une Pan 62, une Pan 65 (John Copeland), une Sportster 68 (Dr...
Le conte photographique l’Emouvantail, se veut être « l’Echo » d’une histoire d’amour entre un épouvantail etune jeune femme, la Dame de l’O qui pourrait être celle de chacun d’entre nous… Mais pas seulement…
Créée par le Musée de l’Elysée à Lausanne, l’exposition Hans Steiner Chronique de la vie moderne a été présentée à la Fotostiftung de Winterthour, à la Médiathèque Valais-Martigny et au Museo Villa dei Cedri de Bellinzona.
Mouna Saboni est d'origine bretonne, de mère française et de père marocain. Elle a 23 ans et termine sa troisième année à l’ENSP d’Arles. Je voudrais voir la mer est présentée dans le cadre du festival des Boutographies, Rencontres Photographiques de Montpellier dédiées aux jeunes photographes. La série sél...
Awol Erizku's photographs reference classical art works to include models of color in order to emphasize, and draw attention to the lack of racial diversity represented in art history.
Erizku creates images such as, Girl with a Bamboo Earring, 2009 in which he repl...
Originally conceived for and presented at the Museum of Fine Arts Houston, the upcoming exhibition at the Helmut Newton Foundation is dedicated to Newton’s first three legendary publications. The motifs published in the books have been transformed into exhibition prints. During Newton’s lifetime, these photographs bordering between fashion and nude ph...
The idea of finding a landscape is the basis of the approach I believe in. You find a place in the same way you find an interesting piece of plastic on the ground or a lost page of a book in the grass. With the landscape as it is, the photograph begins with a precise point of view from
where to record. It is the eye that has to choose, not the hand.
These are landscapes of layers that have consumed, and are consuming their function: they struggle to be. Constant contradiction, a quiet undeniable brutality. The eye moves from foreground to the horizon, into the identity of these places that are a self-portrait of their own history.
Reality is the self-portrait of itself.
Domingo Milella, born in Bari 1981, lives and works between Bari and New York. He has studied photography at the School of Visual Arts, New York (2005, BFA).
His project has been developing over the course of the last 6 years, focusing on a documentation, an esthetical catalogue of "the human landscape as it is". Photography becomes the medium through which to present a landscape to the viewer, a medium to question the landscape itself.
Observation as the main action to reformulate and encourage all that's given in modern dialectics. Observation as the desire to reformulate the most banal of our categories: "the I", "the other" and the world outside.
Mots clés / Tags :
landscape, as, it, has, with, their, self, eye, these, medium, portrait, observation, reformulate, bari, you, itself, find, photography, an, york, 
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