the work series bionic angel takes as its starting point the future transformation and technological control of human evolution.
rapid development in the field of so-called "g-r-i-n technologies" (genetics, robotics, information and nano-technologies) are changing our bodies, minds, memories, and identities, but also impact on our progeny.
these technologies all converge with the aim of enhancing human performance. prenatal genetic determination enables children to be built to plan. clone bodies become depositories for ersatz organs whilst manipulation of atomic structure creates new bodies which far outstrip the old ones in terms of robustness, elasticity and durability. the new bodies are adapted to the needs of the high-speed data highway. these developments based on genetic algorithms and neuronal networks mean that biological evolution can now be controlled; they open up the way to a new and superior form of existence for the human being.
such acts of transgression were already implicit in the idealised body images of greek mythology which the italian renaissance adopted as the perfect expression of radical transformation in terms of the understanding of body, mind and science - secular man became a utopian promise.
referring to such idealised body worlds from antiquity and the renaissance, the work series bionic angel takes up themes of metamorphosis from classical greek mythology as treated by the roman poet ovid. scenarios of creatures in the throes of transformation articulate the inevitability of genetic self-creation in the future of human history. the moment of metamorphosis itself serves as the key metaphor for the technology-driven transformation of the human body in its future post human and possibly immortal existence.
Une Ford Pick-up, une Pan/Shovel 66, une Custom 2004 (Jeffrey), une Triumph 69 (Vince), une El Camino 64, une Bel Air 65 (peinte par Vince), une Duo Glide 62, une Comet (qui appartenait à Steve Mc Queen), une Special Construction 2000 (toutes, OM), une Harley 1969, une Dyna 2003 (Wes),une Pan 59, une Pan 62, une Pan 65 (John Copeland), une Sportster 68 (Dr...
Le conte photographique l’Emouvantail, se veut être « l’Echo » d’une histoire d’amour entre un épouvantail etune jeune femme, la Dame de l’O qui pourrait être celle de chacun d’entre nous… Mais pas seulement…
Créée par le Musée de l’Elysée à Lausanne, l’exposition Hans Steiner Chronique de la vie moderne a été présentée à la Fotostiftung de Winterthour, à la Médiathèque Valais-Martigny et au Museo Villa dei Cedri de Bellinzona.
Mouna Saboni est d'origine bretonne, de mère française et de père marocain. Elle a 23 ans et termine sa troisième année à l’ENSP d’Arles. Je voudrais voir la mer est présentée dans le cadre du festival des Boutographies, Rencontres Photographiques de Montpellier dédiées aux jeunes photographes. La série sél...
Awol Erizku's photographs reference classical art works to include models of color in order to emphasize, and draw attention to the lack of racial diversity represented in art history.
Erizku creates images such as, Girl with a Bamboo Earring, 2009 in which he repl...
Originally conceived for and presented at the Museum of Fine Arts Houston, the upcoming exhibition at the Helmut Newton Foundation is dedicated to Newton’s first three legendary publications. The motifs published in the books have been transformed into exhibition prints. During Newton’s lifetime, these photographs bordering between fashion and nude ph...