the gallery will be continuous open from 10am to 6pm
Born in Prague in 1944, Katharina Sieverding has made a major contribution to opening up the concept of art and to interdisciplinary medial practice. Since the 1960s she has been working both in film and photography, using extremely large formats to construct, deconstruct and reconstruct her own portrait, gaining international acclaim by asking challenging questions of the politics of representation, gender and postcolonialism. Her work has frequently triggered debates on contemporary society, politics, social and cultural issues, one example being her poster installation "Deutschland wird Deutscher". Katharina Sieverding firmly believes that a responsible contemporary artistic practice must be politically committed, and that artistic practice has the task to develop complex positions that not only represent the accelerated processes of the present, but also critically reflect upon them.
GALERIE CHRISTIAN LETHERT will show recent photographs by Katharina Sieverding under the title ENCODE V 2006. The exhibition will consist of nearly 15 photographs with the dimensions of 125 x 190 cm. The source material for the new pictorial constructions derives from a rich pool of photographic documentaries glimpses and examinations. It has been taken during the years 2004-2006, consistently using the same camera and films. ENCODE V 2006 is a critical, context-based technique addressing major cultural issues in a visual way. Each picture creates space and place for thoughts about representation/interpretation, fact/fiction, masking/demasking, in the art world, culture and production of photographic art.
DIEHL starts its “Flaneur” selection with 42 works of the Soviet photo journalist Dmitry Baltermants. Best known for his pictures of the Soviet battlefield during World War II.
During World War II, Baltermants covered major battles for Izvestia and for the Red Army newspaper Na Razgrom Vraga. He fought and photographe...
Le 24 mars 1976, le peuple argentin subit un coup d’état militaire. C’est le début d’une ère de répression sanglante, où quelque 30 000 personnes disparaissent et près de 500 bébés sont volés. Mais s’ouvre également une période d’ultralibéralisme d&ea...
Blindspot Gallery is pleased to present Coastline featuring emerging Chinese photographer Zhang Xiao’s award-winning series Coastline that focuses on the continuous 18,000 kilometres of China’s coastline. The series does not merely capture the seaside landscape of these coastal areas, but also witnesses the changes o...
Du dépouillement des clichés de Catherine Lambermont se dégage une poésie narrative. Ses images composent une suite d’instants d’observation libre. Son travail réhabilite le continuum qui caractérise chaque frontière. La frontière est le lieu du lien. Entre le corps et l’es...
Eric Rondepierre a choisi de montrer au sein d'un travail multiforme, certaines des oeuvres qui ont partie liée au cinéma, depuis ses débuts en 1992. Sur un parcours de vingt ans, 56 pièces ont été prélevées dans dix séries : Excédents, Annonces, Précis...
Simone Nieweg is a photographer of gardens and landscapes. Her work, as it has manifested itself over the past thirty years, knows no other interest. At the same time, a certain serenity hovers over her pictures. In them, nature seems entirely focused on itself. One immediately notices that human beings are absent. The allure of colors and shapes...
« Je ne peux m’empêcher, atteste Gérard Uféras, d’associer la pratique de l’Art à la notion d’amour et de partage ». (extrait de son livre Etats de grâce, éditions du Fantom)
«Egyptian pack» evokes many associations - here are both Petersburgers favorite topic of werewolves (see the movie of E. Yufit «Corpsmen werewolves») and references to the Perm animal style.
Also we can recall British film «The Wicker Man» (1973) with its ritual procession of the man-beasts, ho...