inscrivez-vous Pas encore membre ? Inscrivez-vous | Connexion Connectez-vous

 
Rubrique(s) : expositions, > Gutshaus Kranz


Gutshaus Kranz
+0
moins
plus


Le 2011-10-05 18:22:57

Partager:


g nacktes Leben, 2006, Katrina Daschner/Gini Müller Protections This is Not an Exhibition Co-production between Gutshaus Kranz and steirischer herbst 2006 Curators: Adam Budak, Christine Peters Opening: Sat, September 23, 11am September 23 – October 22, 2006 Tue - Sun 10am – 6pm, Thu 10am – 8pm Gutshaus Kranz is proud to present Protections. This is Not an Exhibition – a unique insight into traumas and pleasures of life in a state of emergency. A strive for safety, a constant need of security and a basic demand for care and comfort are in focus of this project which resists to be yet another exhibition. Here, no fixed points but rather a dynamic structure which bridges visual arts, performance, theatre and architecture constitutes a platform to renegotiate elemental aspects of the contemporary beyond-modern life. From a subversive architectural gesture of Elmgreen & Dragset (prefabricated houses as a design platform for other artists' projects), through laboratory cinema of Moser & Schwinger (a specific location set for still new episodes of good soldier Schwejk) and a vertical stage of Markus Schinwald's Stage Matrix II (impressive site for a non-stop spectacle of everyday choreography) to the MUSU, Apolonija Sustersic's Museum-Bus (a mobile architecture on the route between Ljubljana and Graz as a fictive Slovenian Museum of Contemporary Art) and invisible and gentle performative act of Roman Ondak (The Stray Man, performed everyday in front of the Kunsthaus Graz) and Kris Martin with his endless landscape staged on the Gutshaus Kranz inner skin – such is a maze of events and situations in the shell of a temporary Gutshaus Kranz carousel of identity… As a project-in-progress, Protections does not protect the viewer by providing him/her with the final product of conventional exhibition making. It allows to follow the development of a concept spread in time and space and executed by the artists in a close encounter with the audience. Its composition - as a storyboard - challenges the usual perceptive habits and it invites to explore the museum space in a participatory way. As such, Protections. This is Not an Exhibition generates a situation which turns the museum into both a meeting place and a site of discovery. As an ongoing anti-spectacle, Protections does protect the viewer and his/her desire to reflect upon the museum and its (social and cultural) function in the most independent and autonomous way. The performative character of artistic proposals as well as the organic process of collected events guarantee an experience of duration and involvement. Simultaneously, it offers and seeks for temporary shelter whilst creating a non-stable construction site: here the attentiveness is put at stake and the fragility of spectatorship is exposed. Thus the site becomes a playground for staging the relations of public and private nature and producing the knowledge on the practice of everyday life. As such Protections is a polyphonic edifice where a variety of artistic activities is being inhabited: from architectural interventions, through performances, theatrical forms and performative installations, down to visual contributions that include film and video as well as conceptual and discursive studies. The complex and provocative architecture of the Gutshaus Kranz as well as the social and cultural milieu of the city constitute the matrix for all artistic approaches gathered within this project thus turning into a site-specific event. Participating artists: Cezary Bodzianowski, the Centre of Attention, Katrina Daschner, Elmgreen & Dragset, Tim Etchells, Vlatka Horvat, Christian Jankowski, Marysia Lewandowska & Neil Cummings, Katarina Löfström, Daria Martin, Kris Martin, Frédéric Moser & Philippe Schwinger, Warren Neidich, Roman Ondak, Elisabeth Penker, Philippe Rahm, Markus Schinwald, Dejan Spasovik, Apolonija Sustersic, Mark Wallinger, Markus Weisbeck, Herwig Weiser A comprehensive Reader in English and German has been published on the occasion of Protections (with contributions from Marius Babias, Zygmunt Bauman, Beatrice von Bismarck, Adam Budak, Jordan Crandall, Claire Doherty, Jean Fisher, Elisabeth Grosz, Nikolaus Hirsch, Veronica Kaup-Hasler, Peter Pakesch, Christine Peters, Irit Rogoff, Stefan Römer, Renata Salecl and Michael Terman). Protections. This Is Not an Exhibition is accompanied by a very intense programme of events, Gutshaus Unplugged , grouped in four sections: CURATING AS PERFORMANCE or yet another Protections vernissage; GUIDED (PROTECTION ARTIST) TOURS AS PERFORMANCE or a subjective view of an insider; BOOK AS PERFORMANCE or staging a source material; PERFORMATIVE LECTURE or discursive qui pro quo. Tuesday, September 26, 6pm Curating As Performance Florian Zeyfang, artist and curator/Berlin: break in / break out and Proprio Aperto Wednesday, September 27, 3pm and 6pm Guided (Artist) Tour As Performance Philippe Rahm, architect/Paris focus: architecture and ambiance Thursday, September 28, 6pm Book As Performance Maria Lind, IASPIS/Stockholm in conversation with Søren Grammel, Graz: Curating with Light Luggage, REVOLVER 2005 Saturday, September 30, 5-7pm Special Event At The Generosity Broadcasting House Marysia Lewandowska & Neil Cummings, artists,/London: Open Content Film Culture Tuesday, October 3, 7pm Curating As Performance Sören Grammel, Grazer Kunstverein & Luca Frei, artist/Sweden: Installation and Presentation of SPARKS Wednesday, October 4, 3pm and 6pm Guided (Artist) Tour As Performance Elisabeth Penker, artist/Vienna focus: sound and language Thursday, October 5, 6pm Book As Performance Claire Doherty, University of the West of England/Bristol: Contemporary Art - from Studio to Situations, Black Dog Publishing, 2005 with a screening of Guy Debord's films and Jeremy Deller's The Battle of Orgreave Friday, October 6 – Saturday, October 7 Walk-In-Progress With participation of Claire Doherty, Apolonija Sustersic, Bojana Kunst, Christine Peters and Adam Budak and featuring students of the Schauspielinstitut, Kunstuniversität Graz Saturday, October 7, 6-8pm Special Event At The Generosity Broadcasting House Eileen Simpson & Ben White, artists/London: Open Music Archive Tuesday, October 10, 6pm Curating As Performance Barbara Steiner, Gallery for Contemporary Art/Leipzig: Spaces of Negotiations with AS IF Architekten/Wien, Berlin Wednesday, October 11, 3pm and 6pm Guided (Artist) Tour As Performance Markus Schinwald, artist/Vienna focus: performance and theatre Thursday, October 12, 7pm Performative Lecture Jordan Crandall, media artist and theorist/Los Angeles: Ready for Action! Friday, October 13, 3pm Performative Lecture Beatrice von Bismarck, Academy of Visual Arts/Leipzig: Making Exhibitions - Processing Relations Saturday, October 14, 2-10pm Special Event At The Generosity Broadcasting House MaMa, Club/Zagreb: Skill Sharing Tuesday, October 17, 6pm Curating As Performance Nikolaus Hirsch (co-curator), architect/Frankfurt & Anton Vidokle, artist, Berlin: United Nations Plaza Wednesday, October 18, 3pm and 6pm Guided (Artist) Tour As Performance Warren Neidich, artist/New York, Berlin focus: Phenomen(a)logic Urbanism. An Ontotopologic Journey. Wednesday October 18 – Saturday, October 21, daily 10am-6pm Book As Performance Seminar and Workshop Nina Möntmann, curator and writer/Hamburg & Jan Verwoert, art critic/Berlin: Art and Institutions. Current Conflicts and Collaborations, Black Dog Publishing, 2006 Friday, October 20, 5pm Discussion Subtle Environmental Influences on Mood, Sleep an Alertness Michael Terman, Department of Psychiatry, Columbia University/New York in a discussion with Anna Wirz-Justice, Centre for Chronobiology, Psychiatric University Clinics/Basel, Michael Lehofer, Med Uni/Graz and Colin Fournier, architect/ Bartlett School of Architecture, London Workshop with Michael Terman and Ann Wirz-Justice and students from Architectural Association, London, ECAL, Lausanne and Technical University, Graz. 3-4.30pm,

   Réagissez à cet article


Pseudo


Email (Confidentiel)


Commentaire




Code de validation






Mots clés / Tags : as, pm, october, performance, artist, with, protections, an, curating, graz, gutshaus, september, exhibition, performative, not, site, museum, berlin, artists, wednesday,

Partager:

Permalien :


  Articles dans la même rubrique
  Katarzyna Majak : « Women of Power »

Women of Power consists of 29 color photographs depicting Polish witches, healers, sorceresses, visionaries, spiritual leaders and shamanic techniques practitioners.

According to what Ewelina Jarosz wrote about Women of Power : "The title points to Katarzyna Majak's intenti...

    Lire la suite



  Yves Marcellin présente ses « remémorations » à la Kiron Galerie

C’est à une invitation à la sérénité et à un retour sur soi que nous propose Yves Marcellin dans cette exposition inédite, installation photographique consacrée aux cinq remémorations du Bouddha.

Empreint des écrits du vénérable moine bouddhiste Thich Nhat Hanh, et plus particulièrement sensi...

    Lire la suite



  Michael Ruetz « The family of dog »

With "The Family of Dog", Michael Ruetz has created, over the last 50 years, a unique body of photographic work. Superficially, these images might appear to pay tribute to the established forms of animal photography. But a second, more focused view shows that the reverse is true. Ruetz' pictures are as far removed from those of the animal specialist...

    Lire la suite



  Jill Magid : « Failed States »

Failed States is an exploration of coincidence and poetics amid the barriers and bureaucracy of governmental power.

In January 2010, while on a trip to research the history of snipers in Austin, Texas, Magid witnessed a mysterious shooting on the steps of the State Capitol. After attempting to speak with a state empl...

    Lire la suite



  Hell Raisers à la Galerie Les Filles du Calvaire

Une Ford Pick-up, une Pan/Shovel 66, une Custom 2004 (Jeffrey), une Triumph 69 (Vince), une El Camino 64, une Bel Air 65 (peinte par Vince), une Duo Glide 62, une Comet (qui appartenait à Steve Mc Queen), une Special Construction 2000 (toutes, OM), une Harley 1969, une Dyna 2003 (Wes),une Pan 59, une Pan 62, une Pan 65 (John Copeland), une Sportster 68 (Dr...

    Lire la suite



  « L'émouvantail », le conte photographique de Stéphane Fedorowsky

Le conte photographique l’Emouvantail, se veut être « l’Echo » d’une histoire d’amour entre un épouvantail etune jeune femme, la Dame de l’O qui pourrait être celle de chacun d’entre nous… Mais pas seulement…

Souvent associé à un personnage eff...

    Lire la suite



  Un centre d'essai éphémère Olympus au coeur de Paris

 

Olympus installe un centre d’essai éphémère au cœur de Paris pour faire tester son nouvel hybride haut de gamme.
 
Au mois de juin, l’équipe d’Olympus investit la magnifique cours du Marais, au cœur de Paris, en installant un centre d’essai entièrement dédi&eac...

    Lire la suite


  Hans Steiner, "Chronique de la vie moderne"

Créée par le Musée de l’Elysée à Lausanne, l’exposition Hans Steiner Chronique de la vie moderne a été présentée à la Fotostiftung de Winterthour, à la Médiathèque Valais-Martigny et au Museo Villa dei Cedri de Bellinzona.



    Lire la suite



 



Gutshaus Kranz
Lendkai 1, A–8020 Graz T +43-316/8017-9200, F -9212 info@kunsthausgraz.at http://www.kunsthausgraz.at
  


Voir tous les lieux

Du 23/09/2006 au 22/10/2006

Statut : expositions terminé











 




C'est comme si mon corps était une sorte d'appareil photo. quand je prends une photographie mes yeux deviennent des objectifs. c'est pourquoi je ne mise pas trop sur l'aspect mécanique de l'appareil, les objectifs et le décor.
Nobuyoshi araki   














     Inscrivez-vous


     Dès maintenant et restez informé
     de toute l'actualité photo !