Die Galerie Stefan Röpke is pleased to present its third exhibition of large-format photographs by Canadian photographer Edward Burtynsky at the gallery, on view April 13 to June 4, 2011.
As with his previous bodies of work, Burtynsky continues to investigate and document man's "footprint" as he changes the global landscape in his quest for and extraction of the world's natural resources. For this exhibition, the artist bridges his focus on Oil that had been the subject matter of his last monograph published by Steidl, to Water. Focusing specifically on the disaster in the Gulf of Mexico, Burtynksy creates an important and influential body of photographic work, vividly presenting the risks and the high price we pay for our dependency on oil as our resources from the oceans are affected as a result.
Burtynsky's photographs are meant to be metaphors to the dilemma of our modern existence; they search for a dialogue between attraction and repulsion, seduction and fear. We are drawn by desire - a chance for good living, yet we are consciously or subconsciously aware that the world is suffering for our luxuries. Our dependence on nature to provide the materials for our consumption and our concern for the health of our planet sets us into an uneasy contradiction. These images function as reflecting pools of our times! Burtynsky's photographs are included in the collections of numerous major museums around the world, including the Museum of Modern Art (MoMA) and the Guggenheim Museum in New York, the National Gallery of Canada, Bibliothèque Nationale in Paris, the Reina Sofia in Madrid, the Huis Marseille in Amsterdam and the Altana Stiftung in Bad Homburg.
Une Ford Pick-up, une Pan/Shovel 66, une Custom 2004 (Jeffrey), une Triumph 69 (Vince), une El Camino 64, une Bel Air 65 (peinte par Vince), une Duo Glide 62, une Comet (qui appartenait à Steve Mc Queen), une Special Construction 2000 (toutes, OM), une Harley 1969, une Dyna 2003 (Wes),une Pan 59, une Pan 62, une Pan 65 (John Copeland), une Sportster 68 (Dr...
Le conte photographique l’Emouvantail, se veut être « l’Echo » d’une histoire d’amour entre un épouvantail etune jeune femme, la Dame de l’O qui pourrait être celle de chacun d’entre nous… Mais pas seulement…
Créée par le Musée de l’Elysée à Lausanne, l’exposition Hans Steiner Chronique de la vie moderne a été présentée à la Fotostiftung de Winterthour, à la Médiathèque Valais-Martigny et au Museo Villa dei Cedri de Bellinzona.
Mouna Saboni est d'origine bretonne, de mère française et de père marocain. Elle a 23 ans et termine sa troisième année à l’ENSP d’Arles. Je voudrais voir la mer est présentée dans le cadre du festival des Boutographies, Rencontres Photographiques de Montpellier dédiées aux jeunes photographes. La série sél...
Awol Erizku's photographs reference classical art works to include models of color in order to emphasize, and draw attention to the lack of racial diversity represented in art history.
Erizku creates images such as, Girl with a Bamboo Earring, 2009 in which he repl...
Originally conceived for and presented at the Museum of Fine Arts Houston, the upcoming exhibition at the Helmut Newton Foundation is dedicated to Newton’s first three legendary publications. The motifs published in the books have been transformed into exhibition prints. During Newton’s lifetime, these photographs bordering between fashion and nude ph...