As early as the 1960’s, Roger Ballen became acquainted with the names of well-known photographers like André Kertész, Bruce Davidson and Henri Cartier-Bresson through his mother Adrienne who was working for the New York branch of the Magnum photo agency at the time. He did, however, initially study psychology at the University of Berkley in California. In 1973, he set out on a journey around the world that would last several years. His photographs from that time period were published in the 1979 book Boyhood and reflected the influence of street photography. They illustrate Roger Ballen’s interest in the critical moment, in spontaneity and in coincidence.
The exhibition includes photos from his series Boyhood as well as previously unpublished photographs taken during the years 1969-1973. They represent early examples of Roger Ballen’s fascination with the grotesque and obscure which is a recurring theme in all of his series. After completing his trip around the world, Roger Ballen enrolled at the Colorado School of Mines and in 1981 returned to Johannesburg, South Africa, to work as a geologist. During his travels throughout South Africa, he photographed the Dorps (1986), i.e., village communities where the descendants of the Boers still live today. The book Platteland, Images from Rural South Africa (1994) captures the residents of this countryside in their spartan living quarters.
Une Ford Pick-up, une Pan/Shovel 66, une Custom 2004 (Jeffrey), une Triumph 69 (Vince), une El Camino 64, une Bel Air 65 (peinte par Vince), une Duo Glide 62, une Comet (qui appartenait à Steve Mc Queen), une Special Construction 2000 (toutes, OM), une Harley 1969, une Dyna 2003 (Wes),une Pan 59, une Pan 62, une Pan 65 (John Copeland), une Sportster 68 (Dr...
Le conte photographique l’Emouvantail, se veut être « l’Echo » d’une histoire d’amour entre un épouvantail etune jeune femme, la Dame de l’O qui pourrait être celle de chacun d’entre nous… Mais pas seulement…
Créée par le Musée de l’Elysée à Lausanne, l’exposition Hans Steiner Chronique de la vie moderne a été présentée à la Fotostiftung de Winterthour, à la Médiathèque Valais-Martigny et au Museo Villa dei Cedri de Bellinzona.
Mouna Saboni est d'origine bretonne, de mère française et de père marocain. Elle a 23 ans et termine sa troisième année à l’ENSP d’Arles. Je voudrais voir la mer est présentée dans le cadre du festival des Boutographies, Rencontres Photographiques de Montpellier dédiées aux jeunes photographes. La série sél...
Awol Erizku's photographs reference classical art works to include models of color in order to emphasize, and draw attention to the lack of racial diversity represented in art history.
Erizku creates images such as, Girl with a Bamboo Earring, 2009 in which he repl...
Originally conceived for and presented at the Museum of Fine Arts Houston, the upcoming exhibition at the Helmut Newton Foundation is dedicated to Newton’s first three legendary publications. The motifs published in the books have been transformed into exhibition prints. During Newton’s lifetime, these photographs bordering between fashion and nude ph...
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