Rafal has been travelling to Ukrainian costal towns and places, meeting with local people. He has documented the change in lives of these people, strongly influenced by long lasting USSR history and recent political events, and their specific relation and coexistence with the sea. Telling a Ukrainian story by connecting seascapes, portraits of locals dressed in their working uniforms and images of everyday life, Rafal created a powerful portrait of the Black Sea. The portrait of the Black Sea is dominated by massive concrete which appears as a relict of the past Soviet times that still directs and marks people's lives.
The first thing you notice by the sea is the concrete. Kilometers of grey blocks sometimes painted with blue and yellow, the national colors of Ukraine. You can feel the Soviet past at once. It looks surreal and it doesn't match the beautiful landscape that surrounds you. Industrial zones and the iron waste by the sea don't remind harmonic idyll between nature and man. People have changed the landscape in a very brutal way here. But the sea fights back for its natural shape and territory. Local people seem to respect the power of the sea. I went to the Ukrainian Black Sea coast to explore this mutual influence and relation between the man and sea. Ukraine is the country in transition and for the last few years has been looking for its new identity. In my opinion so has the Black Sea coast.
DIEHL starts its “Flaneur” selection with 42 works of the Soviet photo journalist Dmitry Baltermants. Best known for his pictures of the Soviet battlefield during World War II.
During World War II, Baltermants covered major battles for Izvestia and for the Red Army newspaper Na Razgrom Vraga. He fought and photographe...
Le 24 mars 1976, le peuple argentin subit un coup d’état militaire. C’est le début d’une ère de répression sanglante, où quelque 30 000 personnes disparaissent et près de 500 bébés sont volés. Mais s’ouvre également une période d’ultralibéralisme d&ea...
Blindspot Gallery is pleased to present Coastline featuring emerging Chinese photographer Zhang Xiao’s award-winning series Coastline that focuses on the continuous 18,000 kilometres of China’s coastline. The series does not merely capture the seaside landscape of these coastal areas, but also witnesses the changes o...
Du dépouillement des clichés de Catherine Lambermont se dégage une poésie narrative. Ses images composent une suite d’instants d’observation libre. Son travail réhabilite le continuum qui caractérise chaque frontière. La frontière est le lieu du lien. Entre le corps et l’es...
Eric Rondepierre a choisi de montrer au sein d'un travail multiforme, certaines des oeuvres qui ont partie liée au cinéma, depuis ses débuts en 1992. Sur un parcours de vingt ans, 56 pièces ont été prélevées dans dix séries : Excédents, Annonces, Précis...
Simone Nieweg is a photographer of gardens and landscapes. Her work, as it has manifested itself over the past thirty years, knows no other interest. At the same time, a certain serenity hovers over her pictures. In them, nature seems entirely focused on itself. One immediately notices that human beings are absent. The allure of colors and shapes...
« Je ne peux m’empêcher, atteste Gérard Uféras, d’associer la pratique de l’Art à la notion d’amour et de partage ». (extrait de son livre Etats de grâce, éditions du Fantom)
«Egyptian pack» evokes many associations - here are both Petersburgers favorite topic of werewolves (see the movie of E. Yufit «Corpsmen werewolves») and references to the Perm animal style.
Also we can recall British film «The Wicker Man» (1973) with its ritual procession of the man-beasts, ho...