The exhibition will be opened on Saturday 6 March 2010 (from 5 to 7 pm) by Prof. Dr. Huib Henrichs, professor of astronomy at the VU University Amsterdam and the Astronomical Institute Anton Pannekoek, University of Amsterdam.
The exhibition First Light will be Huis Marseille's first large presentation on the relationship between photography and astronomy. Unusual historical photographs are to be combined with the most spectacular images from famous space telescopes and spacecraft.
Since the late 19th century, astronomers have been exploring the limits of human perception by way of photography. Those limits were surpassed once and for all with the arrival of space travel and the satellite. In photographs, the seemingly infinite size of the universe is reduced to human proportions, yet it remains an elusive idea. Partly for that reason, astronomy has had a long history of popularizing research. In the past, original photographs appeared in illustrated non-specialist publications on astronomy. Nowadays the information that astronomers gather for their research is translated into spectacular and almost painterly images that reach us via newspapers, magazines, television and the Internet.
The exhibition will comprise a first-time combination of uniqe historical astronomy photographs, from Dutch collections, and present-day images made by famous telescopes and space probes such as ESO, Hubble and Cassini.
Organized in collaboration with the Stichting Academisch Erfgoed (SAE) and the Nedelrandse Onderzoekschool voor Astronomie (NOVA).
DIEHL starts its “Flaneur” selection with 42 works of the Soviet photo journalist Dmitry Baltermants. Best known for his pictures of the Soviet battlefield during World War II.
During World War II, Baltermants covered major battles for Izvestia and for the Red Army newspaper Na Razgrom Vraga. He fought and photographe...
Le 24 mars 1976, le peuple argentin subit un coup d’état militaire. C’est le début d’une ère de répression sanglante, où quelque 30 000 personnes disparaissent et près de 500 bébés sont volés. Mais s’ouvre également une période d’ultralibéralisme d&ea...
Blindspot Gallery is pleased to present Coastline featuring emerging Chinese photographer Zhang Xiao’s award-winning series Coastline that focuses on the continuous 18,000 kilometres of China’s coastline. The series does not merely capture the seaside landscape of these coastal areas, but also witnesses the changes o...
Du dépouillement des clichés de Catherine Lambermont se dégage une poésie narrative. Ses images composent une suite d’instants d’observation libre. Son travail réhabilite le continuum qui caractérise chaque frontière. La frontière est le lieu du lien. Entre le corps et l’es...
Eric Rondepierre a choisi de montrer au sein d'un travail multiforme, certaines des oeuvres qui ont partie liée au cinéma, depuis ses débuts en 1992. Sur un parcours de vingt ans, 56 pièces ont été prélevées dans dix séries : Excédents, Annonces, Précis...
Simone Nieweg is a photographer of gardens and landscapes. Her work, as it has manifested itself over the past thirty years, knows no other interest. At the same time, a certain serenity hovers over her pictures. In them, nature seems entirely focused on itself. One immediately notices that human beings are absent. The allure of colors and shapes...
« Je ne peux m’empêcher, atteste Gérard Uféras, d’associer la pratique de l’Art à la notion d’amour et de partage ». (extrait de son livre Etats de grâce, éditions du Fantom)
«Egyptian pack» evokes many associations - here are both Petersburgers favorite topic of werewolves (see the movie of E. Yufit «Corpsmen werewolves») and references to the Perm animal style.
Also we can recall British film «The Wicker Man» (1973) with its ritual procession of the man-beasts, ho...