inscrivez-vous Pas encore membre ? Inscrivez-vous | Connexion Connectez-vous

 
Rubrique(s) : expositions, > INSERTION - Rodrigo dos Santos


INSERTION - Rodrigo dos Santos
+0
moins
plus


Le 2010-02-25 14:10:14

Partager:


g

PHOTOESPAÑA 2010 : Sala del Complejo El Aguila, 28014 - Madrid

The crowded situation in jails, the bad condition in health and hygiene, the non coherence amongst the convicts, and the State’s inability to keep imprisonment model with minimal conditions to recover the prisoners and its social reinsertion, put public security on a daily recently disclosed by prisoners organizations attacks (PCC) in São Paulo – just like the many other reasons which take thousands of men and women to jail – exposure to violence, trouble to access health care, education, culture, justice and leisure. The prisoners stigma completes the panorama, exalting its corruption, stimulating criminality, its reincidence and, mainly, maintaining prejudice. This issue deals with urgent reality which surpass us and its our responsibility. A small with a convict and another reality is show. The sentence “any man can be guilt” coming out in the speech of one convicts, one of the first man I had the opportunity to talk to at Apac from Itaúna was the door to entry my will to understand that world.

The project was developed in the prisons Apac (Association of Protection and Assistance for the Convicts) in Brazil. In the Apac, they don't have guards, the prisoners are the responsible for the prisons. After more than eight years living in the universe of the prisons, I had become a privileged observer, and eventually a participant observer. In 2009, I obtained permission from the Criminal Court, to sleep for six nights with 33 inmates. An experience allowed me to finally reach the point maximum work: the intimacy of the inmates: The poetic presented in photographs. For which porosities and sieves, the voices, the gestures, the silences, cross the invisible wall what separates those men of us? After all, that lives, that bodies, that dreams, and are thoughts woven there, where don't the eyes reach? The movements that cross these men, that draw the everyday of those marked by a past of marginality, the assay to build a new look are the results of this project. Men, through the Apac Method, glimmer the possibility of acting in a society where, at least, all have the right to talk, but mostly are speechless.

INSERTION is distinguished by its unpublishement, for presenting its images of actors from a different reinstatement and has as basis a Method that intends to reinvent the penitentiary model in Brazil and abroad. Create a historical and artistic document, a new offer for the Brazilian carcerary system through the daily register of the condemned Method Apac is to reduce the obstacle which separate us from these excluded men and women. Stories and considering hearing to what indicated to be an anthology. Frequent visits had to happened to realize that those images seeked my view – attempt to know a new reality. Equipped only with a camera and the wish to go beyond the obstacles tat separates our worlds. I came to realize the wishes and dreams common to them all and how important is freedom in our lives.

The arrest of APAC model was designed by Brazilian lawyer Mario Ottoboni and first implemented in 1972 in Sao Jose dos Campos, State of Sao Paulo. According to its idealization, the method combines features of socialization in the prison environment in order to achieve desirable effects of social reintegration of prisoners and prevent recidivism. To date, there are over 100 units APAC in Brazil, mainly in the Minas Gerais State. The method has also been "exported" to Germany, Bulgaria, Singapore, Chile, Costa Rica, Ecuador, El Salvador, Slovakia, United States, England, Wales, Honduras, Latvia, Malawi, México, among others.



   Réagissez à cet article


Pseudo


Email (Confidentiel)


Commentaire




Code de validation






Mots clés / Tags : its, apac, men, method, with, prisoners, which, reality, new, convicts, brazil, us, model, prisons, state, had, those, all, our, sao,

Partager:

Permalien :


  Articles dans la même rubrique
  Dmitry Baltermants : 
The Sovjet Union between 1940s and 1970s
War, Life & Glory

DIEHL starts its “Flaneur” selection with 42 works of the Soviet photo journalist Dmitry Baltermants. Best known for his pictures of the Soviet battlefield during World War II.

During World War II, Baltermants covered major battles for Izvestia and for the Red Army newspaper Na Razgrom Vraga. He fought and photographe...

    Lire la suite



  Franck Boutonnet pour une série sur l'Argentine

Le 24 mars 1976, le peuple argentin subit un coup d’état militaire. C’est le début d’une ère de répression sanglante, où quelque 30 000 personnes disparaissent et près de 500 bébés sont volés. Mais s’ouvre également une période d’ultralibéralisme d&ea...

    Lire la suite



  La côte chinoise par Zhang Xiao

Blindspot Gallery is pleased to present Coastline featuring emerging Chinese photographer Zhang Xiao’s award-winning series Coastline that focuses on the continuous 18,000 kilometres of China’s coastline. The series does not merely capture the seaside landscape of these coastal areas, but also witnesses the changes o...

    Lire la suite



  Le "In/Out" de Catherine Lambermont

Du dépouillement des clichés de Catherine Lambermont se dégage une poésie narrative. Ses images composent une suite d’instants d’observation libre. Son travail réhabilite le continuum qui caractérise chaque frontière. La frontière est le lieu du lien. Entre le corps et l’es...

    Lire la suite



  Eric Rondepierre à l'Arsenal de Metz

Eric Rondepierre a choisi de montrer au sein d'un travail multiforme, certaines des oeuvres qui ont partie liée au cinéma, depuis ses débuts en 1992. Sur un parcours de vingt ans, 56 pièces ont été prélevées dans dix séries : Excédents, Annonces, Précis ...

    Lire la suite



  Simone Nieweg, la photographe des paysages

Simone Nieweg is a photographer of gardens and landscapes. Her work, as it has manifested itself over the past thirty years, knows no other interest. At the same time, a certain serenity hovers over her pictures. In them, nature seems entirely focused on itself. One immediately notices that human beings are absent. The allure of colors and shapes...

    Lire la suite



  Les "Corps & Graphie" de Gérard Uféras

« Je ne peux m’empêcher, atteste Gérard Uféras, d’associer la pratique de l’Art à la notion d’amour et de partage ». (extrait de son livre Etats de grâce, éditions du Fantom)

Vingt années durant, Gérard Uféras a &eac...

    Lire la suite



  Du nouveau à la Pobeda Gallery

«Egyptian pack» evokes many associations - here are both Petersburgers favorite topic of werewolves (see the movie of E. Yufit «Corpsmen werewolves») and references to the Perm animal style.

Also we can recall British film «The Wicker Man» (1973) with its ritual procession of the man-beasts, ho...

    Lire la suite



 


Photographe(s)

Rodrigo Albert

PhotoEspaña
X Festival Internacional de Fotografía y Artes Visuales
 Madrid 
Espagne

Voir tous les lieux

Du 09/06/2010 au 25/07/2010

Statut : expositions terminé











 




La technique, en photographie, a été trop longtemps ressentie comme première devant l'esthétique ou, à l'inverse, nuisible à celle-ci.
Gilles mora   














     Inscrivez-vous


     Dès maintenant et restez informé
     de toute l'actualité photo !