For emerging artists working with enigmatic auras of photographs and objects
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Le 2010-02-09 13:49:01
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Naomi White's Soap War features a faux bathroom made out of cardboard. On the mirror a sign says "No more soap girls! It was STILL being wasted". Her graduating series Out the Back explores work environments and their effect on employees. She has re-created the otherwise off limits staff areas using the packaging material that one might find there. The banal, neutral toned surroundings, peppered with motivational and instructional signage highlight the ultimately de-motivating atmosphere of these workplaces. The scenes are delightfully subversive and frank.
Max Creasy's carefully constructed images play between illusion and representation, between the facsimile and the real. They invite doubt about the process of photography and the viewer's relationship to it. His still life scenes are cast from plaster, hand painted and photographed. The process of painting interrupts our understanding of the role and effects of light in the photographic process. This layered construction of the scene creates an uncertainty in the eye of the viewer. These still life images present themselves as a mixture of references to the artistic process, duplication, and illusion.
With an eye for oddness, and for the tension between domesticity and nature, Roberta Thornley's photography explores the obsessive things people do in their anxious search for perfection and happiness. Her work is both painterly and cinematic, revealing what seem to be suspended moments in mysterious unresolved narratives. She says, "I want my photographs to ask questions, and I want them to be rich with narrative possibilities. At the same time I try to evoke atmospheres that oscillate between melancholy and desire. It's a difficult combination but I keep trying."
Emidio Puglielli's work highlights our relationship to photographs, with a particular focus on their materiality and how it impacts our reading of the image. His series of works display both sides of a photograph at once. The photographs become objects allowing us to plug into our own references, histories and contexts and how we connect to images.
Women of Power consists of 29 color photographs depicting Polish witches, healers, sorceresses, visionaries, spiritual leaders and shamanic techniques practitioners.
According to what Ewelina Jarosz wrote about Women of Power : "The title points to Katarzyna Majak's intenti...
C’est à une invitation à la sérénité et à un retour sur soi que nous propose Yves Marcellin dans cette exposition inédite, installation photographique consacrée aux cinq remémorations du Bouddha.
Empreint des écrits du vénérable moine bouddhiste Thich Nhat Hanh, et plus particulièrement sensi...
With "The Family of Dog", Michael Ruetz has created, over the last 50 years, a unique body of photographic work. Superficially, these images might appear to pay tribute to the established forms of animal photography. But a second, more focused view shows that the reverse is true. Ruetz' pictures are as far removed from those of the animal specialist...
Failed States is an exploration of coincidence and poetics amid the barriers and bureaucracy of governmental power.
In January 2010, while on a trip to research the history of snipers in Austin, Texas, Magid witnessed a mysterious shooting on the steps of the State Capitol. After attempting to speak with a state empl...
Une Ford Pick-up, une Pan/Shovel 66, une Custom 2004 (Jeffrey), une Triumph 69 (Vince), une El Camino 64, une Bel Air 65 (peinte par Vince), une Duo Glide 62, une Comet (qui appartenait à Steve Mc Queen), une Special Construction 2000 (toutes, OM), une Harley 1969, une Dyna 2003 (Wes),une Pan 59, une Pan 62, une Pan 65 (John Copeland), une Sportster 68 (Dr...
Le conte photographique l’Emouvantail, se veut être « l’Echo » d’une histoire d’amour entre un épouvantail etune jeune femme, la Dame de l’O qui pourrait être celle de chacun d’entre nous… Mais pas seulement…
Créée par le Musée de l’Elysée à Lausanne, l’exposition Hans Steiner Chronique de la vie moderne a été présentée à la Fotostiftung de Winterthour, à la Médiathèque Valais-Martigny et au Museo Villa dei Cedri de Bellinzona.
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