1:1 is a not exclusive group of photographers interested in photographic art. In this group there is no head or control, no rules, no regular meetings, no adscription to photographic, artistic, politic or any other school or trend.
We, the member of this group, have different social and geographic backgrounds, a broad scope of ages; both sexes are equally represented, some of us there make a living on photography and others live for the sake of it, with many possibilities in between. Different styles are to be found among us, as well as diverse technical choices, from pinhole cameras to the most advanced digital technologies.
This diversity fosters the expressive and intuitive capability of each of the members of the group and develops the necessary critical abilities necessary that help appreciate the work from other colleagues. We got to know each other in Internet, first by taking part in online forums like Photo net, Foto si and others. Afterwards we met in Madrid, where we did some activities and projects together.
This magazine is our most ambitious project at the moment. We want it to be a platform for the diffusion and knowledge of nowadays photography and attempts to become a portal for forms, expressions and discussions that will appear in the future. With an inclusive spirit 1:1 receives and publish works produced by photographers considering the extensive and rich variety from different cultural and geographical traditions. We are interested too in reflections by photographers, critics and thinkers on photographic art.
This is the origin of this magazine. It reflects the group that originates it and its interest, passion (and pleasure) for an activity that has shaped – from inside and from outside- not only the forms of contemporary art but, thanks to the technological advance of last years, provoked a redefinition of many functions of photography, art and culture.
Issue 35 includes the photographic work of 
Susan A Barnett, 
Bex Finch, 
Jennifer Hudson, 
Julia Kozerski and Daniel W Coburn reviews Dolls and Masks 
and 
Ellen Wallenstein reviews The Bridge at Hoover Dam.
From the Editor:
It is no secret that photography, like many ...
Ce 53ème numéro de la revue Private, qui se penche sur la ruralité contemporaine, c'est à dire sur une ruralité menacée et de plus en plus isolée, brille par l'intensité de certains des portfolios présentés.
Nous viennent en tête les images de Victor Yuli...
Issue 34 includes the photographic work of Robert Adams, Richard Benson, Edward Ranney, Judith Joy Ross
This issue and the beginning of 2012 mark the fourth year of Fraction Magazine. The past 33 issues have focused primarily on emerging photography, as one of Frac...
Après l'Insensé Japan, Pays-Bas, Espagne, États-Unis, Berlin et British, voici le tour de la Suisse d'être encensée par L'Insensé. Comme à son habitude, le magazine est de toute beauté, et à un prix raisonnable et abordable : 20 euros.
L'imposante revue propose une édition hors norme pour son anniversaire. Telle une compilation de chansons d'amour, la parole est donnée à cinquante personnalités de tous horizons. Comme un cadeau, ils ont choisi une photo « préférée &...