In his series of photographs Romancing Σtone, Jonathan Spath unifies two areas of deep personal interest - math and photography.
The photos, taken in a former granite quarry on Cape Ann, MA, also reflect his style of photographing which "looks further and deeper into everyday surroundings to discover what singular perspectives may exist both in the object and the space around the object," he says.
Romancing tone is featured at the Griffin Museum at Digital Silver Imaging in Belmont, MA.
"The stones' shapes, tones, textures, and scale were all of initial interest to me," Spath says. "I then spent time sitting, being in and getting a sense for the place and its formations. After some time passed, I began seeing the distinct geometric shapes, the spheres, the many triangles and other polygons. My natural inclination to uncover the order, even the mathematical, within the randomness of the stone piles emerged."
Spath adds that the photographs' titles also describe a mathematical quality he sees or feels within the stone. In the photo Inscribed, for example, Spath says "the oblate stone is positioned to almost touch the exterior triangle in three locations. The egg shape is therefore ´inscribed´ within the triangle."
"As an educator I love to take opportunities to teach through the arts," says Paula Tognarelli executive director of the Griffin Museum of Photography. "Jonathan Spath has woven and integrated some enduring lessons on math into the exhibition of his photographs that can long outlive the classroom. Learning through the arts is learning that lasts a lifetime."
Le 24 mars 1976, le peuple argentin subit un coup d’état militaire. C’est le début d’une ère de répression sanglante, où quelque 30 000 personnes disparaissent et près de 500 bébés sont volés. Mais s’ouvre également une période d’ultralibéralisme d&ea...
Blindspot Gallery is pleased to present Coastline featuring emerging Chinese photographer Zhang Xiao’s award-winning series Coastline that focuses on the continuous 18,000 kilometres of China’s coastline. The series does not merely capture the seaside landscape of these coastal areas, but also witnesses the changes o...
Du dépouillement des clichés de Catherine Lambermont se dégage une poésie narrative. Ses images composent une suite d’instants d’observation libre. Son travail réhabilite le continuum qui caractérise chaque frontière. La frontière est le lieu du lien. Entre le corps et l’es...
Eric Rondepierre a choisi de montrer au sein d'un travail multiforme, certaines des oeuvres qui ont partie liée au cinéma, depuis ses débuts en 1992. Sur un parcours de vingt ans, 56 pièces ont été prélevées dans dix séries : Excédents, Annonces, Précis...
Simone Nieweg is a photographer of gardens and landscapes. Her work, as it has manifested itself over the past thirty years, knows no other interest. At the same time, a certain serenity hovers over her pictures. In them, nature seems entirely focused on itself. One immediately notices that human beings are absent. The allure of colors and shapes...
« Je ne peux m’empêcher, atteste Gérard Uféras, d’associer la pratique de l’Art à la notion d’amour et de partage ». (extrait de son livre Etats de grâce, éditions du Fantom)
«Egyptian pack» evokes many associations - here are both Petersburgers favorite topic of werewolves (see the movie of E. Yufit «Corpsmen werewolves») and references to the Perm animal style.
Also we can recall British film «The Wicker Man» (1973) with its ritual procession of the man-beasts, ho...
La MID inaugure avec L’exposition Un photographe à Cette, un cycle d’événements annuels consacrés à la mise en valeur de la Mémoire photographique régionale.
Une cinquantaine de tirages réalisés à partir du fond privé de la collection Robert Cortade,...
Mots clés / Tags :
spath, says, his, stone, within, photographs, also, ma, object, arts, inscribed, acute, into, time, mathematical, through, shapes, some, jonathan, learning, 
Voir tous les lieux
Pas encore membre ? Inscrivez-vous
|
Connectez-vous
Lire la suite
