Carrie Levy photo editor, curator, professor of photography and photographer.
+0
Le 2010-01-19 16:03:47
Partager:
Born in 1979, Carrie Levy is a New York based photo editor, curator, professor of photography and photographer. She has worked in recent years as photo editor for Newsweek, The New Yorker, Random House, The New York Times Magazine and Vogue. Currently Director of Education at the Hudson Center for Contemporary Art in Peekskill, New York, Levy is also part-time faculty at Parsons The New School for Design. Levy’s photographic work is based on confinement, authority and control. Her series of images, Domestic Stages was exhibited at DCFA in 2005 and Impaired in 2007. Levy has been included in exhibitions at the Howard Yezerski Gallery, The Hudson Valley Center for Contemporary Art, P.S. 122, Trolley Gallery, EAST International and the North Carolina Museum of Art, where her work is included in the permanent collection. Levy was selected as one of the best emerging photographers of 2005 by Art Review magazine and has lectured at the Museum of the City of New York and at Photo London 2005. Trolley published 51 Months in 2005, Levy’s visual journal of her family during her father’s incarceration – a project she began at the age of 15. The book has been featured in Newsweek, French Vogue, The London Times Sunday Magazine, Look-Look and Foto Magazine.
DIEHL starts its “Flaneur” selection with 42 works of the Soviet photo journalist Dmitry Baltermants. Best known for his pictures of the Soviet battlefield during World War II.
During World War II, Baltermants covered major battles for Izvestia and for the Red Army newspaper Na Razgrom Vraga. He fought and photographe...
Le 24 mars 1976, le peuple argentin subit un coup d’état militaire. C’est le début d’une ère de répression sanglante, où quelque 30 000 personnes disparaissent et près de 500 bébés sont volés. Mais s’ouvre également une période d’ultralibéralisme d&ea...
Blindspot Gallery is pleased to present Coastline featuring emerging Chinese photographer Zhang Xiao’s award-winning series Coastline that focuses on the continuous 18,000 kilometres of China’s coastline. The series does not merely capture the seaside landscape of these coastal areas, but also witnesses the changes o...
Du dépouillement des clichés de Catherine Lambermont se dégage une poésie narrative. Ses images composent une suite d’instants d’observation libre. Son travail réhabilite le continuum qui caractérise chaque frontière. La frontière est le lieu du lien. Entre le corps et l’es...
Eric Rondepierre a choisi de montrer au sein d'un travail multiforme, certaines des oeuvres qui ont partie liée au cinéma, depuis ses débuts en 1992. Sur un parcours de vingt ans, 56 pièces ont été prélevées dans dix séries : Excédents, Annonces, Précis...
Simone Nieweg is a photographer of gardens and landscapes. Her work, as it has manifested itself over the past thirty years, knows no other interest. At the same time, a certain serenity hovers over her pictures. In them, nature seems entirely focused on itself. One immediately notices that human beings are absent. The allure of colors and shapes...
« Je ne peux m’empêcher, atteste Gérard Uféras, d’associer la pratique de l’Art à la notion d’amour et de partage ». (extrait de son livre Etats de grâce, éditions du Fantom)
«Egyptian pack» evokes many associations - here are both Petersburgers favorite topic of werewolves (see the movie of E. Yufit «Corpsmen werewolves») and references to the Perm animal style.
Also we can recall British film «The Wicker Man» (1973) with its ritual procession of the man-beasts, ho...