Foam presents an exhibition of work by a new generation of photographers who work with the medium of photography in a refreshingly uninhibited, unconventional and sometimes slightly anarchist way. Five young Dutch photographers: Constant Dullaart, Katja Mater, Jaap Scheeren, Corriette Schoenaerts and Anne de Vries use photography more as a medium, rather than a self-evident end product. In the exhibition Photography - in reverse they present mostly new work in which they combine different disciplines: photography and internet, projections, film and installations.
A major motivation for organizing this group exhibition is the fundamental changes the medium of photography has gone through in recent years. Digitalization, and with it the ever-expanding options have had consequences for the photographer's professional practice. These developments have not only caused questions to arise regarding authenticity, originality and authorship - the photographic image itself has acquired another status. The five photographers in this exhibition are part of a generation of photographers and artists who make use of and provide commentary on the developments referred to above.
In this exhibition a range of conceptual common grounds can be found: images are often constructed to create a world entirely of their own, often with a slightly surrealist or absurdist accent; the interplay between fiction and non-fiction is experimented with and the limits of photographic language are explored. The influence of mass media and new media is also clearly present in the work.
Constructions within the space, projections, moving images and installations make up a significant part of the exhibition, in addition to more conventional methods of exhibition..
Women of Power consists of 29 color photographs depicting Polish witches, healers, sorceresses, visionaries, spiritual leaders and shamanic techniques practitioners.
According to what Ewelina Jarosz wrote about Women of Power : "The title points to Katarzyna Majak's intenti...
C’est à une invitation à la sérénité et à un retour sur soi que nous propose Yves Marcellin dans cette exposition inédite, installation photographique consacrée aux cinq remémorations du Bouddha.
Empreint des écrits du vénérable moine bouddhiste Thich Nhat Hanh, et plus particulièrement sensi...
With "The Family of Dog", Michael Ruetz has created, over the last 50 years, a unique body of photographic work. Superficially, these images might appear to pay tribute to the established forms of animal photography. But a second, more focused view shows that the reverse is true. Ruetz' pictures are as far removed from those of the animal specialist...
Failed States is an exploration of coincidence and poetics amid the barriers and bureaucracy of governmental power.
In January 2010, while on a trip to research the history of snipers in Austin, Texas, Magid witnessed a mysterious shooting on the steps of the State Capitol. After attempting to speak with a state empl...
Une Ford Pick-up, une Pan/Shovel 66, une Custom 2004 (Jeffrey), une Triumph 69 (Vince), une El Camino 64, une Bel Air 65 (peinte par Vince), une Duo Glide 62, une Comet (qui appartenait à Steve Mc Queen), une Special Construction 2000 (toutes, OM), une Harley 1969, une Dyna 2003 (Wes),une Pan 59, une Pan 62, une Pan 65 (John Copeland), une Sportster 68 (Dr...
Le conte photographique l’Emouvantail, se veut être « l’Echo » d’une histoire d’amour entre un épouvantail etune jeune femme, la Dame de l’O qui pourrait être celle de chacun d’entre nous… Mais pas seulement…
Créée par le Musée de l’Elysée à Lausanne, l’exposition Hans Steiner Chronique de la vie moderne a été présentée à la Fotostiftung de Winterthour, à la Médiathèque Valais-Martigny et au Museo Villa dei Cedri de Bellinzona.