In 2005 and 2007, Helmhaus Zürich presented the first and second parts of its World - Images exhibition series. The project now continues with the third part, accompanied, as always, by a publication. One of the main aims of this project is to find out more about the different ways in which artists transpose their views of the world into the medium of photography, especially in an age of media overkill. The exhibition shows a vibrant cross-section of contemporary photography.
World - Images 3 covers a range of individual visual worlds and worldviews. Each of the eight artists featured in this exhibition has a distinctive approach in terms of creative expression, subject matter and in terms of the social and geographic setting that is the focus of their work. Which worldviews are conveyed in the visual worlds of these artists? The answer to that question lies in the works themselves, some of them entirely new and all of them selected in close consultation with the artists themselves.
The photographs in this exhibition address their own inherent possibilities - and impossibilities: the possibility of making a statement about the world, presenting it and interpreting it. In short, these are photographs that investigate their own inherent truth. They openly call into question the characteristic properties of their own medium as an instrument of documentation and interpretation. They translate the world into the world of photography. And, as visual aids, they serve to translate the world of photography back into the world around us in all its bewildering simultaneity of disparity. In other words, the World - Images exhibition series pursues the programmatic aim of presenting an artistic awareness of the world and encouraging debate about the extent to which art - in this case, photography - can be seen in terms of shaping our perception of the world around us.
Le 24 mars 1976, le peuple argentin subit un coup d’état militaire. C’est le début d’une ère de répression sanglante, où quelque 30 000 personnes disparaissent et près de 500 bébés sont volés. Mais s’ouvre également une période d’ultralibéralisme d&ea...
Blindspot Gallery is pleased to present Coastline featuring emerging Chinese photographer Zhang Xiao’s award-winning series Coastline that focuses on the continuous 18,000 kilometres of China’s coastline. The series does not merely capture the seaside landscape of these coastal areas, but also witnesses the changes o...
Du dépouillement des clichés de Catherine Lambermont se dégage une poésie narrative. Ses images composent une suite d’instants d’observation libre. Son travail réhabilite le continuum qui caractérise chaque frontière. La frontière est le lieu du lien. Entre le corps et l’es...
Eric Rondepierre a choisi de montrer au sein d'un travail multiforme, certaines des oeuvres qui ont partie liée au cinéma, depuis ses débuts en 1992. Sur un parcours de vingt ans, 56 pièces ont été prélevées dans dix séries : Excédents, Annonces, Précis...
Simone Nieweg is a photographer of gardens and landscapes. Her work, as it has manifested itself over the past thirty years, knows no other interest. At the same time, a certain serenity hovers over her pictures. In them, nature seems entirely focused on itself. One immediately notices that human beings are absent. The allure of colors and shapes...
« Je ne peux m’empêcher, atteste Gérard Uféras, d’associer la pratique de l’Art à la notion d’amour et de partage ». (extrait de son livre Etats de grâce, éditions du Fantom)
«Egyptian pack» evokes many associations - here are both Petersburgers favorite topic of werewolves (see the movie of E. Yufit «Corpsmen werewolves») and references to the Perm animal style.
Also we can recall British film «The Wicker Man» (1973) with its ritual procession of the man-beasts, ho...
La MID inaugure avec L’exposition Un photographe à Cette, un cycle d’événements annuels consacrés à la mise en valeur de la Mémoire photographique régionale.
Une cinquantaine de tirages réalisés à partir du fond privé de la collection Robert Cortade,...