Having recently released her book of photography Street Level, September 16th will see the opening reception of her photography exhibit by “ONLY IN NEW YORK”. With a wealth of experience under her belt capturing the “pre-Giuliani” era of New York life, Kwon presents a variety of photographs of a time long-gone in her well-known black and white style. The show will run until October 4th at Clic Gallery.
ONLY IN NEW YORK compiles twenty years of SUE KWON’s acclaimed documentary photographs of New York’s neighborhoods and people. In the tradition of great urban photographers like Weegee, Helen Levitt, and Danny Lyon, Kwon’s riveting black and white images of New York’s pre-Giuliani street life, with its hustlers, players, dancers and shoe-shiners, are authentic and unsentimental. HILTON ALS of THE NEW YORKER writes, in his introduction to the upcoming monograph “STREET LEVEL”: “One can see Kwon’s empathetic involvement, her poetical surgeon’s eye, in the way she frames the streets, fashion, faces, and situations that make up her world. Again and again, she incites the viewer to look at [what] she has faithfully recorded in her personal, anarchic, and radiant photographs.”
SUE KWON began her career at THE VILLAGE VOICE, shooting subjects that ranged from runaways to underground Jamaican nightclubs in Queens. Her photographs have since been published in THE SOURCE, VIBE, and PAPER magazines, and she has become a well-known portrait photographer of hip hop stars, including NOTORIOUS B.I.G., the BEASTIE BOYS and the WU-TANG CLAN. Her work has been featured in group shows in New York and Copenhagen and been the subject of a solo show at A Bathing Ape Gallery in Tokyo. This is her first solo show in New York.
DIEHL starts its “Flaneur” selection with 42 works of the Soviet photo journalist Dmitry Baltermants. Best known for his pictures of the Soviet battlefield during World War II.
During World War II, Baltermants covered major battles for Izvestia and for the Red Army newspaper Na Razgrom Vraga. He fought and photographe...
Le 24 mars 1976, le peuple argentin subit un coup d’état militaire. C’est le début d’une ère de répression sanglante, où quelque 30 000 personnes disparaissent et près de 500 bébés sont volés. Mais s’ouvre également une période d’ultralibéralisme d&ea...
Blindspot Gallery is pleased to present Coastline featuring emerging Chinese photographer Zhang Xiao’s award-winning series Coastline that focuses on the continuous 18,000 kilometres of China’s coastline. The series does not merely capture the seaside landscape of these coastal areas, but also witnesses the changes o...
Du dépouillement des clichés de Catherine Lambermont se dégage une poésie narrative. Ses images composent une suite d’instants d’observation libre. Son travail réhabilite le continuum qui caractérise chaque frontière. La frontière est le lieu du lien. Entre le corps et l’es...
Eric Rondepierre a choisi de montrer au sein d'un travail multiforme, certaines des oeuvres qui ont partie liée au cinéma, depuis ses débuts en 1992. Sur un parcours de vingt ans, 56 pièces ont été prélevées dans dix séries : Excédents, Annonces, Précis...
Simone Nieweg is a photographer of gardens and landscapes. Her work, as it has manifested itself over the past thirty years, knows no other interest. At the same time, a certain serenity hovers over her pictures. In them, nature seems entirely focused on itself. One immediately notices that human beings are absent. The allure of colors and shapes...
« Je ne peux m’empêcher, atteste Gérard Uféras, d’associer la pratique de l’Art à la notion d’amour et de partage ». (extrait de son livre Etats de grâce, éditions du Fantom)
«Egyptian pack» evokes many associations - here are both Petersburgers favorite topic of werewolves (see the movie of E. Yufit «Corpsmen werewolves») and references to the Perm animal style.
Also we can recall British film «The Wicker Man» (1973) with its ritual procession of the man-beasts, ho...
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